Old Bag

Scum Piglets

01.	Erma [02:40]
		Featuring:
		Hokey Pete - Upright Double Bass
		 MC Cracker-Jacked Poppin' Fresh - Harmonica
02.	Old Bag [02:48]
		Featuring:
		Scum Puppy the Boil-Poppin’ Prodigy - Steel Slide Guitar
03.	Old Shitkickin' Hootenanny [03:02]
		Featuring:
		Hokey Pete - Upright Double Bass
		Scum Puppy Vomitwhisker - Banjo
04.	Old Hag [03:56]
		Featuring:
		The Jigglin’ Scum Puppy of Junk Junction - Steel Slide Guitar

Scum Piglets:
Underlord - Vocals
Bally - Lead Guitar, Vocals
Scum Puppy - Rhythm Guitar, Vocals
Dingus Maximus - Rhythm Guitar, Vocals
Hokey Pete - Bass Guitar, Vocals
Sandra Hook - Turntables, Vocals
Slender Man - Percussion, Vocals
Kade Infernox - Drums

Hoobie Records HR20260420 Digital EP
Released: 2026-04-20
Produced and Mastered by Scum Puppy
Graphic Design and Artwork by Scum Puppy

Hoobie Records
https://hoobierecords.github.io

Hoobie Records @ Artcore
https://www.artcore.com/hoobie-records

Hoobie Records @ Youtube
https://www.youtube.com/@HoobieRecords

Scum Piglets @ Artcore
https://www.artcore.com/scum-piglets

All songs are adaptations of the song "Old Bag",
Originally written and performed by Hideous Piglet Wild-a-Beast.

Hideous Piglet Wild-a-Beast:
Overlord - Vocals, Guitars, Seymour Butts Operator
Scum Puppy - Drums, Percussion, Cigarette-On-A-String Threader & Pulley System
Sir Fletcher-Munson Curve - Coconut Shells, Broom, Harmonica, Air Guitar, Hat Flips

© 2026 Brian Artwick

<ol>
<li> Erma [02:40]
 Featuring:
 Hokey Pete - Upright Double Bass
 MC Cracker-Jacked Poppin' Fresh - Harmonica</li>
<li> Old Bag [02:48]
 Featuring:
 Scum Puppy the Boil-Poppin’ Prodigy - Steel Slide Guitar</li>
<li> Old Shitkickin' Hootenanny [03:02]
 Featuring:
 Hokey Pete - Upright Double Bass
 Scum Puppy Vomitwhisker - Banjo</li>
<li> Old Hag [03:56]
 Featuring:
 The Jigglin’ Scum Puppy of Junk Junction - Steel Slide Guitar</li>
</ol>
Scum Piglets:
Underlord - Vocals
Bally - Lead Guitar, Vocals
Scum Puppy - Rhythm Guitar, Vocals
Dingus Maximus - Rhythm Guitar, Vocals
Hokey Pete - Bass Guitar, Vocals
Sandra Hook - Turntables, Vocals
Slender Man - Percussion, Vocals
Kade Infernox - Drums
Hoobie Records HR20260420 Digital EP
Released: 2026-04-20
Produced and Mastered by Scum Puppy
Graphic Design and Artwork by Scum Puppy
Hoobie Records
<a href="https://hoobierecords.github.io">https://hoobierecords.github.io</a>
Hoobie Records @ Artcore
<a href="https://www.artcore.com/hoobie-records">https://www.artcore.com/hoobie-records</a>
Hoobie Records @ Youtube
<a href="https://www.youtube.com/@HoobieRecords">https://www.youtube.com/@HoobieRecords</a>
Scum Piglets @ Artcore
<a href="https://www.artcore.com/scum-piglets">https://www.artcore.com/scum-piglets</a>
All songs are adaptations of the song "Old Bag",
Originally written and performed by Hideous Piglet Wild-a-Beast.
Hideous Piglet Wild-a-Beast:
Overlord - Vocals, Guitars, Seymour Butts Operator
Scum Puppy - Drums, Percussion, Cigarette-On-A-String Threader &amp; Pulley System
Sir Fletcher-Munson Curve - Coconut Shells, Broom, Harmonica, Air Guitar, Hat Flips
© 2026 Brian Artwick

Hoobie Records

Erma

Old Shitkickin' Hootenanny

Old Shitkickin' Hootenanny by Scum Piglets

Old Hag

Kingsley

01.	Kingsley [02:33]
02.	Make A Right On Kingsley [02:51]
		Featuring:
		Hokey Pete - Upright Double Bass
		Harold Poon- Trombone
		Chubby Poon - Trumpet
		Geetz Romo - Saxophone
		Hat Highness - Piano

03.	Kingsley Is the Street You See [02:58]
04.	All the People Hangout On Kingsley Street [03:35]
		Featuring:
		Hokey Pete - Upright Double Bass
		Harold Poon- Trombone
		Chubby Poon- Trumpet
		Geetz Romo - Saxophone
		Hat Highness - Piano

Scum Piglets:
Underlord - Vocals
Bally - Lead Guitar, Vocals
Scum Puppy - Rhythm Guitar, Vocals
Dingus Maximus - Rhythm Guitar, Vocals
Hokey Pete - Bass Guitar, Vocals
Sandra Hook - Turntables, Vocals
Slender Man - Percussion, Vocals
Kade Infernox - Drums

Hoobie Records HR20260416 Digital EP
Released: 2026-04-16
Produced and Mastered by Scum Puppy
Graphic Design and Artwork by Scum Puppy

Hoobie Records
https://hoobierecords.github.io

Hoobie Records @ Artcore
https://www.artcore.com/hoobie-records

Hoobie Records @ Youtube
https://www.youtube.com/@HoobieRecords

Scum Piglets @ Artcore
https://www.artcore.com/scum-piglets

All songs are adaptations of the song "Kingsley",
Originally written and performed by Hideous Piglet Wild-a-Beast.

Hideous Piglet Wild-a-Beast:
Overlord - Vocals, Guitars, Seymour Butts Operator
Scum Puppy - Drums, Percussion, Cigarette-On-A-String Threader & Pulley System
Sir Fletcher-Munson Curve - Coconut Shells, Broom, Harmonica, Air Guitar, Hat Flips

© 2026 Brian Artwick

<ol>
<li> Kingsley [02:33]
</li>
<li> Make A Right On Kingsley [02:51]
 Featuring:
 Hokey Pete - Upright Double Bass
 Harold Poon- Trombone
 Chubby Poon - Trumpet
 Geetz Romo - Saxophone
 Hat Highness - Piano
</li>
<li> Kingsley Is the Street You See [02:58]
</li>
<li> All the People Hangout On Kingsley Street [03:35]
 Featuring:
 Hokey Pete - Upright Double Bass
 Harold Poon- Trombone
 Chubby Poon- Trumpet
 Geetz Romo - Saxophone
 Hat Highness - Piano
</li>
</ol>
Scum Piglets:
Underlord - Vocals
Bally - Lead Guitar, Vocals
Scum Puppy - Rhythm Guitar, Vocals
Dingus Maximus - Rhythm Guitar, Vocals
Hokey Pete - Bass Guitar, Vocals
Sandra Hook - Turntables, Vocals
Slender Man - Percussion, Vocals
Kade Infernox - Drums
Hoobie Records HR20260416 Digital EP
Released: 2026-04-16
Produced and Mastered by Scum Puppy
Graphic Design and Artwork by Scum Puppy
Hoobie Records
<a href="https://hoobierecords.github.io">https://hoobierecords.github.io</a>
Hoobie Records @ Artcore
<a href="https://www.artcore.com/hoobie-records">https://www.artcore.com/hoobie-records</a>
Hoobie Records @ Youtube
<a href="https://www.youtube.com/@HoobieRecords">https://www.youtube.com/@HoobieRecords</a>
Scum Piglets @ Artcore
<a href="https://www.artcore.com/scum-piglets">https://www.artcore.com/scum-piglets</a>
All songs are adaptations of the song "Kingsley",
Originally written and performed by Hideous Piglet Wild-a-Beast.
Hideous Piglet Wild-a-Beast:
Overlord - Vocals, Guitars, Seymour Butts Operator
Scum Puppy - Drums, Percussion, Cigarette-On-A-String Threader &amp; Pulley System
Sir Fletcher-Munson Curve - Coconut Shells, Broom, Harmonica, Air Guitar, Hat Flips
© 2026 Brian Artwick

Kingsley 02 Make A Right On Kingsley

Kingsley 02 Make A Right On Kingsley by Scum Piglets

Kingsley Is the Street You See

Kingsley Is the Street You See by Scum Piglets

All the People Hangout On Kingsley Street

All the People Hangout On Kingsley Street by Scum Piglets

Pellets From My Ass

Scum Piglets:
Underlord - Vocals
Bally - Lead Guitar, Vocals
Scum Puppy - Rhythm Guitar, Vocals
Dingus Maximus - Rhythm Guitar, Vocals
Hokey Pete - Bass Guitar, Vocals
Sandra Hook - Turntables, Vocals
Slender Man - Percussion, Vocals
Kade Infernox - Drums

Hoobie Records HR20260319 Digital EP
Released: 2026-03-19
Produced and Mastered by Scum Puppy
Graphic Design and Artwork by Scum Puppy

Hoobie Records
https://hoobierecords.github.io

Hoobie Records @ Artcore
https://www.artcore.com/hoobie-records

Hoobie Records @ Youtube
https://www.youtube.com/@HoobieRecords

Scum Piglets @ Artcore
https://www.artcore.com/scum-piglets

All songs are adaptations of the song "Pellets From My Ass",
Originally written and performed by Hideous Piglet Wild-a-Beast.

Hideous Piglet Wild-a-Beast:
Overlord - Vocals, Guitars, Seymour Butts Operator
Scum Puppy - Drums, Percussion, Cigarette-On-A-String Threader & Pulley System
Sir Fletcher-Munson Curve - Coconut Shells, Broom, Harmonica, Air Guitar, Hat Flips

© 2026 Brian Artwick

Scum Piglets:
Underlord - Vocals
Bally - Lead Guitar, Vocals
Scum Puppy - Rhythm Guitar, Vocals
Dingus Maximus - Rhythm Guitar, Vocals
Hokey Pete - Bass Guitar, Vocals
Sandra Hook - Turntables, Vocals
Slender Man - Percussion, Vocals
Kade Infernox - Drums
Hoobie Records HR20260319 Digital EP
Released: 2026-03-19
Produced and Mastered by Scum Puppy
Graphic Design and Artwork by Scum Puppy
Hoobie Records
<a href="https://hoobierecords.github.io">https://hoobierecords.github.io</a>
Hoobie Records @ Artcore
<a href="https://www.artcore.com/hoobie-records">https://www.artcore.com/hoobie-records</a>
Hoobie Records @ Youtube
<a href="https://www.youtube.com/@HoobieRecords">https://www.youtube.com/@HoobieRecords</a>
Scum Piglets @ Artcore
<a href="https://www.artcore.com/scum-piglets">https://www.artcore.com/scum-piglets</a>
All songs are adaptations of the song "Pellets From My Ass",
Originally written and performed by Hideous Piglet Wild-a-Beast.
Hideous Piglet Wild-a-Beast:
Overlord - Vocals, Guitars, Seymour Butts Operator
Scum Puppy - Drums, Percussion, Cigarette-On-A-String Threader &amp; Pulley System
Sir Fletcher-Munson Curve - Coconut Shells, Broom, Harmonica, Air Guitar, Hat Flips
© 2026 Brian Artwick

Are Just What Came Out

Don't Know How They Got There

Don't Know How They Got There by Scum Piglets

Don't Know About Those Pellets

Don't Know About Those Pellets by Scum Piglets

Easter Bunny Shits Eggs

Scum Piglets:
Underlord - Vocals
Bally - Lead Guitar, Vocals
Scum Puppy - Rhythm Guitar, Vocals
Dingus Maximus - Rhythm Guitar, Vocals
Hokey Pete - Bass Guitar, Vocals
Sandra Hook - Turntables, Vocals
Slender Man - Percussion, Vocals
Kade Infernox - Drums

Hoobie Records HR20260314 Digital EP
Released: 2026-03-14
Produced and Mastered by Scum Puppy
Graphic Design and Artwork by Scum Puppy

Hoobie Records
https://hoobierecords.github.io

Hoobie Records @ Artcore
https://www.artcore.com/hoobie-records

Hoobie Records @ Youtube
https://www.youtube.com/@HoobieRecords

Scum Piglets @ Artcore
https://www.artcore.com/scum-piglets

All songs are adaptations of the song "Easter Bunny Shits Eggs",
Originally written and performed by Hideous Piglet Wild-a-Beast.

Hideous Piglet Wild-a-Beast:
Overlord - Vocals, Guitars, Seymour Butts Operator
Scum Puppy - Drums, Percussion, Cigarette-On-A-String Threader & Pulley System
Sir Fletcher-Munson Curve - Coconut Shells, Broom, Harmonica, Air Guitar, Hat Flips


© 2026 Brian Artwick

Scum Piglets:
Underlord - Vocals
Bally - Lead Guitar, Vocals
Scum Puppy - Rhythm Guitar, Vocals
Dingus Maximus - Rhythm Guitar, Vocals
Hokey Pete - Bass Guitar, Vocals
Sandra Hook - Turntables, Vocals
Slender Man - Percussion, Vocals
Kade Infernox - Drums
Hoobie Records HR20260314 Digital EP
Released: 2026-03-14
Produced and Mastered by Scum Puppy
Graphic Design and Artwork by Scum Puppy
Hoobie Records
<a href="https://hoobierecords.github.io">https://hoobierecords.github.io</a>
Hoobie Records @ Artcore
<a href="https://www.artcore.com/hoobie-records">https://www.artcore.com/hoobie-records</a>
Hoobie Records @ Youtube
<a href="https://www.youtube.com/@HoobieRecords">https://www.youtube.com/@HoobieRecords</a>
Scum Piglets @ Artcore
<a href="https://www.artcore.com/scum-piglets">https://www.artcore.com/scum-piglets</a>
All songs are adaptations of the song "Easter Bunny Shits Eggs",
Originally written and performed by Hideous Piglet Wild-a-Beast.
Hideous Piglet Wild-a-Beast:
Overlord - Vocals, Guitars, Seymour Butts Operator
Scum Puppy - Drums, Percussion, Cigarette-On-A-String Threader &amp; Pulley System
Sir Fletcher-Munson Curve - Coconut Shells, Broom, Harmonica, Air Guitar, Hat Flips
© 2026 Brian Artwick

Every single Easter

I'm Telling You, Don't Eat Them

I'm Telling You, Don't Eat Them by Scum Piglets

At the Passover Feaster

Progressive Alogia

EllektraJazz

EllektraJazz immerses listeners in a sonic trance on their new album, Progressive Alogia. Released on the Label Cantroll, this is exactly what Adrian Younge would have created if he had reimagined the Mahavishnu Orchestra's legacy, abandoning funk and jazz-rock for a blend of trip-hop and dark jazz.

Contemplative nostalgia here takes shape through the warm, distorted breath of a Hammond B3 organ and the shimmering vibrato of a Fender Rhodes electric piano. However, the retro soul of the compositions is merely the foundation: on top of it, the author weaves the pulsating energy and sexuality of rock.

The album's title speaks for itself: "alogia" (the loss of the ability to speak) becomes an artistic device here. It's a transition from narrative to sound. Words are powerless and fall away as unnecessary, giving way to musical expression. This space strikes a perfect balance between structure and freedom, between composition and improvisation: the compositions sound spontaneous and lively, yet are held together by a strong framework of polyphony and progressive rock. Progressive Alogia is music that begins where conversations end.

The release is also available on streaming services: band.link/c217

About the project:

EllektraJazz is a retro jazz-rock project by Yuri Vinogradov's one-man band. It attempts to convey the vibes and aesthetics of 1970s instrumental music through modern production, spicing up the nostalgic past with modern elements of dark jazz, hip-hop, and electronic music. As a philosopher, Yuri frames the music of this project within the conceptual framework of contemporary philosophical ideas. The artist makes extensive use of a Fender Rhodes electric piano, a Hammond B-3 organ, a Fender Jazz Bass, vinyl noises, and other instruments, creating an atmosphere of old jazz-rock music in the spirit of Miles Davis's Bitches Brew, where Tricky supposedly came to the session. The project has been in existence since 2016.

EllektraJazz immerses listeners in a sonic trance on their new album, Progressive Alogia. Released on the Label Cantroll, this is exactly what Adrian Younge would have created if he had reimagined the Mahavishnu Orchestra's legacy, abandoning funk and jazz-rock for a blend of trip-hop and dark jazz.
Contemplative nostalgia here takes shape through the warm, distorted breath of a Hammond B3 organ and the shimmering vibrato of a Fender Rhodes electric piano. However, the retro soul of the compositions is merely the foundation: on top of it, the author weaves the pulsating energy and sexuality of rock.
The album's title speaks for itself: "alogia" (the loss of the ability to speak) becomes an artistic device here. It's a transition from narrative to sound. Words are powerless and fall away as unnecessary, giving way to musical expression. This space strikes a perfect balance between structure and freedom, between composition and improvisation: the compositions sound spontaneous and lively, yet are held together by a strong framework of polyphony and progressive rock. Progressive Alogia is music that begins where conversations end.
The release is also available on streaming services: band.link/c217
About the project:
EllektraJazz is a retro jazz-rock project by Yuri Vinogradov's one-man band. It attempts to convey the vibes and aesthetics of 1970s instrumental music through modern production, spicing up the nostalgic past with modern elements of dark jazz, hip-hop, and electronic music. As a philosopher, Yuri frames the music of this project within the conceptual framework of contemporary philosophical ideas. The artist makes extensive use of a Fender Rhodes electric piano, a Hammond B-3 organ, a Fender Jazz Bass, vinyl noises, and other instruments, creating an atmosphere of old jazz-rock music in the spirit of Miles Davis's Bitches Brew, where Tricky supposedly came to the session. The project has been in existence since 2016.

Label Cantroll

Smoky Eyes

Foggy Ways

Sharp Peaks

Bots Won't Leave Me Alone

Bleuhaus

Continuing our dynamite series of Psy-Lounge covers, Bleuhaus invigorates a whole new life into "Bots Won't Leave Me Alone" with their haunting interpretation.

Continuing our dynamite series of Psy-Lounge covers, Bleuhaus invigorates a whole new life into "Bots Won't Leave Me Alone" with their haunting interpretation.

Radio Oumuamua

Christmas Cover Collection

Jimmy Boy

KUNA STEPH

Kind of desert blues. Inspired by great snooker player Jimmy White.
Spontaneous Vocal performance after playing pool.
Recorded and mixed at klangzentrum.ch
 

Kind of desert blues. Inspired by great snooker player Jimmy White.
Spontaneous Vocal performance after playing pool.
Recorded and mixed at klangzentrum.ch

Jimmy Boy (Original Mix)

To Kill With Noise

NOISEKILLR

NOISEKILLR 40,MVMT 12 .......An old blues man ,makes his way across the country,to his final destination.wake up,have hot tea,hitch a ride on an 18 wheeler,realize he's going deaf,trades stolen money for wine,wakes up choking,eats his own finger in a bout with starvation,eats sushi and crab legs in the back of a limo he hitched a ride in,throws dice so hard gambling,playing craps ,he pulls out his arm from the socket,ends up in a hospital where they treat him with psilocybin,as he heads off into the clouds,thru the gates,leaving his battered ,tattered ,shell of a decrepit elderly man,behind,for good! But not his guitar!!! Composed entirely on acoustic guitar,run thru effects pedals,there are nearly silent and somber tracks,as well as overblown bangers,and a few have drums,and some are mellow ,pensive,and soothing,especially the final track,which signifies the character's entance into the kingdom of all kingdoms. A concept album with no words or lyrics,just moods and feelings. this is the 12th movement of a 365 movement piece! NOISEKILLR  is celebrating 40 years of making experimental noise,by putting out a new release every day of 2026. This is the second release on artcore. to follow along and keep up with the daily releases,please subscribe to :  https://sluggisha.blogspot.com 

NOISEKILLR 40,MVMT 12 .......An old blues man ,makes his way across the country,to his final destination.wake up,have hot tea,hitch a ride on an 18 wheeler,realize he's going deaf,trades stolen money for wine,wakes up choking,eats his own finger in a bout with starvation,eats sushi and crab legs in the back of a limo he hitched a ride in,throws dice so hard gambling,playing craps ,he pulls out his arm from the socket,ends up in a hospital where they treat him with psilocybin,as he heads off into the clouds,thru the gates,leaving his battered ,tattered ,shell of a decrepit elderly man,behind,for good! But not his guitar!!! Composed entirely on acoustic guitar,run thru effects pedals,there are nearly silent and somber tracks,as well as overblown bangers,and a few have drums,and some are mellow ,pensive,and soothing,especially the final track,which signifies the character's entance into the kingdom of all kingdoms. A concept album with no words or lyrics,just moods and feelings. this is the 12th movement of a 365 movement piece! NOISEKILLR is celebrating 40 years of making experimental noise,by putting out a new release every day of 2026. This is the second release on artcore. to follow along and keep up with the daily releases,please subscribe to : <a href="https://sluggisha.blogspot.com">https://sluggisha.blogspot.com</a>

16 untitled tracks

steeping

diesel

cochlear subluxation blues,parts 1,2,&3

cochlear subluxation blues,parts 1,2,&3 by NOISEKILLR

throwing bad money

cup of blackout

vineyard neckwear

snorkeling trauma pillow

finger jerky

raw bar limo

injury peone dice throwers

fungi patients

triple crown wounds

Mai the AI Girl

Tito and the Funk Prophets

Apache Fog

Kafka Machine

Dub Sound Ink

Toys I Don't Trust

The Electro Folkies

Florian and the Potatoes

Jazz Funk Greats

Azha Milan

Blimp Lizkid

Axylon

The Explosive Growths

The Brandos

TONEKR3W

The Dots

The New Exorcists

Curvewave

Concrete Crew

Lydia and the Hellraisers

We have the unusual pleasure of announcing the Christmas Cover Collection, so-called because we are actually issuing it on Christmas day, and it's a collection of 20 covers of Psy-Lounge's songs!  Many of you have heard the first half dozen singles from this collection over the last as many weeks, now you can hear all the hard work of 21 of our great artists!

It all started at a Radio Oumuamua party a couple or so months, as you mark time locally, ago, as the Psy-Lounge members Dr. K and Dr. Z, who are also the co-executive producers of all the material issued here from Radio Oumuamua, got talking with other bands there.  Meanwhile, the rave was all abuzz with our artists buzzbuzzing about the great covers of The New Exorcists' ""I Can't Make This Better"" and The Dots' ""Nothing Ever Touches Anything.""  The discussions merged as everyone got another kind of buzz on Cosmic Fluid™, and next thing we knew Dr. K and Dr. Z decided to provide free access/rights to all the RO artists to do covers, no strings attached.  And thus the Psy-Lounge covers project was born!
 
And now we have what is only the FIRST collection of those covers, from Apache Fog's grooving interpretation of ""420 Emergency Broadcast"" to Toys I Don't Trust's electromechanical breakdown of ""Relativity,"" available on Artcore and Bandcamp for a limited time at a greatly discounted rate, as well as, as always, out there on your favorite, or at least your least-disliked, streaming platform!

We do hope you had, are having, or will have a great holiday season, no matter when your own great holiday is, and we hope you'll enjoy this collection of Psy-Lounge covers.

We have the unusual pleasure of announcing the Christmas Cover Collection, so-called because we are actually issuing it on Christmas day, and it's a collection of 20 covers of Psy-Lounge's songs! Many of you have heard the first half dozen singles from this collection over the last as many weeks, now you can hear all the hard work of 21 of our great artists!
It all started at a Radio Oumuamua party a couple or so months, as you mark time locally, ago, as the Psy-Lounge members Dr. K and Dr. Z, who are also the co-executive producers of all the material issued here from Radio Oumuamua, got talking with other bands there. Meanwhile, the rave was all abuzz with our artists buzzbuzzing about the great covers of The New Exorcists' ""I Can't Make This Better"" and The Dots' ""Nothing Ever Touches Anything."" The discussions merged as everyone got another kind of buzz on Cosmic Fluid™, and next thing we knew Dr. K and Dr. Z decided to provide free access/rights to all the RO artists to do covers, no strings attached. And thus the Psy-Lounge covers project was born!
And now we have what is only the FIRST collection of those covers, from Apache Fog's grooving interpretation of ""420 Emergency Broadcast"" to Toys I Don't Trust's electromechanical breakdown of ""Relativity,"" available on Artcore and Bandcamp for a limited time at a greatly discounted rate, as well as, as always, out there on your favorite, or at least your least-disliked, streaming platform!
We do hope you had, are having, or will have a great holiday season, no matter when your own great holiday is, and we hope you'll enjoy this collection of Psy-Lounge covers.

Mon Coeur

Spam

The Machine Tells Me

Broken Mirror, Broken Dreams

Broken Mirror, Broken Dreams by Kafka Machine

Relativity

420 Emergency Broadcast

The Dog Eats His Soul

Everybody Wants to Deliver My Dinner

Everybody Wants to Deliver My Dinner by The Dots, Concrete Crew

Alright (Na Gut)

Alright (Na Gut) by Tito and the Funk Prophets

Hyperpop

Kafka

Learn Jazz Drums the EZ Way (While U Sleep!)

Learn Jazz Drums the EZ Way (While U Sleep!) by Jazz Funk Greats

Can You Hear Me Now?

Relax (to Dance)

We're Living in a State (of the World)

We're Living in a State (of the World) by The Explosive Growths

DC Beltway Blunderbus

Insurance

Ich Muss Mein Kaffee

Ich Muss Mein Kaffee by Florian and the Potatoes

Tempestuous Land (Sturmgezeitenfeld)

Tempestuous Land (Sturmgezeitenfeld) by The Electro Folkies

Dance or Do Not (You Are a Commodity)

Dance or Do Not (You Are a Commodity) by Dub Sound Ink

Frosttone Diaries

Mr Man

Frosttone Diaries is a collection of instrumental jazz pieces shaped by cold evenings, quiet rooms, and slow reflections.
Warm keys, soft rhythms, and blue-tinted melodies move gently between solitude and comfort.

This album is meant for late nights, reading, thinking, and moments when silence feels too heavy.
No lyrics — just mood, tone, and feeling.

Frosttone Diaries is a collection of instrumental jazz pieces shaped by cold evenings, quiet rooms, and slow reflections.
Warm keys, soft rhythms, and blue-tinted melodies move gently between solitude and comfort.
This album is meant for late nights, reading, thinking, and moments when silence feels too heavy.
No lyrics — just mood, tone, and feeling.

Whispers Through the Snow

Emberlight Stroll

Frosted Lantern Hour

December in Blue (Original Mix)

December in Blue

Hearthside Reverie (Original Mix)

Hearthside Reverie

Echoes of a Quiet Winter (Original Mix)

Echoes of a Quiet Winter

Cinder Glow Waltz

Velvet Frost Nocturne

Crystal Avenue Serenade

Solstice Coffee Break

BluBlu

“Blu Blu” is a slow-burning blues piece built on warm guitar tones, soft soul, and late-night emotions.
A track made for quiet rooms, empty streets, and the moments when your heart speaks louder than the world.
Minimal, raw, and honest - just pure blues, nothing else.

“Blu Blu” is a slow-burning blues piece built on warm guitar tones, soft soul, and late-night emotions.
A track made for quiet rooms, empty streets, and the moments when your heart speaks louder than the world.
Minimal, raw, and honest - just pure blues, nothing else.

Pulse City (Original Mix)

Pulse City

Midnight Frequency (Original Mix)

Midnight Frequency

Neon Mirage (Original Mix)

Neon Mirage

Afterglow Drift (Original Mix)

Afterglow Drift

Echo in the Club (Original Mix)

Echo in the Club

Deeproom Motion (Original Mix)

Deeproom Motion

Strobe Memory (Original Mix)

Strobe Memory

Bassline Ritual (Original Mix)

Bassline Ritual

Night Runner (Original Mix)

Night Runner

Electric Body (Original Mix)

Electric Body

Funkland Inc.

The debut and self-titled album from Funkland Inc. is a rich, groove-driven journey through retro-inspired rhythms and modern soul storytelling.

The album's themes touch on love, struggle, isolation and celebration -- all wrapped in street-wise production and undeniable swagger. Highlights include the sultry slow burn of "Slip Away," the horn-laced anthem "The Decline and End," and the infectious, dancefloor-ready track "Shakin' the Border." 

The debut and self-titled album from Funkland Inc. is a rich, groove-driven journey through retro-inspired rhythms and modern soul storytelling.
The album's themes touch on love, struggle, isolation and celebration -- all wrapped in street-wise production and undeniable swagger. Highlights include the sultry slow burn of "Slip Away," the horn-laced anthem "The Decline and End," and the infectious, dancefloor-ready track "Shakin' the Border."

Wake Up! (Original Mix)

Wake Up!

Jet Set (Flyin' High) (Original Mix)

Jet Set (Flyin' High)

Studio Apartment Blues (Original Mix)

Studio Apartment Blues

Age of the Killers (Original Mix)

Age of the Killers

Mr. Nowhere (Original Mix)

Mr. Nowhere

Slip Away (Original Mix)

Slip Away

Heights of Fire (Montecito Nights) (Original Mix)

Heights of Fire (Montecito Nights) by Funkland Inc.

Heights of Fire (Montecito Nights)

Shakin' the Border (Original Mix)

Shakin' the Border

Fender Benders (Original Mix)

Fender Benders

Stranger Here (Original Mix)

Stranger Here

The Decline and End (Original Mix)

The Decline and End

𝙍𝙚𝙣𝙚𝙜𝙖𝙙𝙚 𝘽𝙡𝙪𝙚𝙨 VIP

Dreadnought

𝙍𝙚𝙣𝙚𝙜𝙖𝙙𝙚 𝘽𝙡𝙪𝙚𝙨 VIP by Dreadnought

Renegade Blues VIP (Original Mix)

Renegade Blues VIP

DORIAN'S REQUIEM

IzziesCaravan

Dorian’s Requiem is Izzie’s Caravan at their most unapologetic — a dark, blues-drenched concept album that drags the listener deep into the shadows of the Faustian bargain. Inspired by the timeless myth of trading one’s soul for glory, this record tells the story of a man chasing stardom, only to be consumed by the very pact that promised him immortality. Each track unfolds like a chapter in a Gothic novella — gritty, atmospheric, and brimming with moral decay.

The guitars snarl and wail with a venomous authority — blistering riffs, scorching solos, and raw blues licks that cut through the mix like a devil’s grin. Every note drips with menace and seduction, echoing the album’s central theme: that every deal with the devil comes at a price. The rhythm section drives with relentless swagger, keeping the pulse dirty and dangerous, while the vocals shift between desperate confession and defiant rebellion.

This is not a safe record — Dorian’s Requiem is a whiskey-soaked, amp-blown sermon on ambition, temptation, and the inevitable fall. It’s the sound of midnight in the backroom of a dying bar, where the smoke is thick, the lights are dim, and somewhere in the corner, the devil is still keeping score.

Izzie’s Caravan have crafted not just an album, but an experience — a soundtrack for anyone who’s ever danced too close to the fire.

Dorian’s Requiem is Izzie’s Caravan at their most unapologetic — a dark, blues-drenched concept album that drags the listener deep into the shadows of the Faustian bargain. Inspired by the timeless myth of trading one’s soul for glory, this record tells the story of a man chasing stardom, only to be consumed by the very pact that promised him immortality. Each track unfolds like a chapter in a Gothic novella — gritty, atmospheric, and brimming with moral decay.
The guitars snarl and wail with a venomous authority — blistering riffs, scorching solos, and raw blues licks that cut through the mix like a devil’s grin. Every note drips with menace and seduction, echoing the album’s central theme: that every deal with the devil comes at a price. The rhythm section drives with relentless swagger, keeping the pulse dirty and dangerous, while the vocals shift between desperate confession and defiant rebellion.
This is not a safe record — Dorian’s Requiem is a whiskey-soaked, amp-blown sermon on ambition, temptation, and the inevitable fall. It’s the sound of midnight in the backroom of a dying bar, where the smoke is thick, the lights are dim, and somewhere in the corner, the devil is still keeping score.
Izzie’s Caravan have crafted not just an album, but an experience — a soundtrack for anyone who’s ever danced too close to the fire.

#blues