Crosscut Saw

GŮRRR

Crosscut Saw brings you three brand new tracks by GŮRRR. 
Formed by Aleksander Haugen and Girilal Baars in 2024 during an accidental meeting, the hurdy-gurdy duo strives to blend the acoustic instruments with non-standard electronics. GŮRRR also actively explores extended playing techniques on the already wide-ranging acoustic sound-generators that are hurdy-gurdys.

Two of the tracks are live recordings from GŮRRR's tours in Norway and Sweden and one is a studio recording. Acoustic noise drone linking the medieval with the modern, plainsong with the inharmonic, and the hidden with the oblique.

Crosscut Saw brings you three brand new tracks by GŮRRR. 
Formed by Aleksander Haugen and Girilal Baars in 2024 during an accidental meeting, the hurdy-gurdy duo strives to blend the acoustic instruments with non-standard electronics. GŮRRR also actively explores extended playing techniques on the already wide-ranging acoustic sound-generators that are hurdy-gurdys.
Two of the tracks are live recordings from GŮRRR's tours in Norway and Sweden and one is a studio recording. Acoustic noise drone linking the medieval with the modern, plainsong with the inharmonic, and the hidden with the oblique.

Nature Always Wins

Mean Old World (Original Mix)

Mean Old World

Crosscut Saw (Original Mix)

Killing Floor (Original Mix)

Killing Floor

Deuces Wild

Dirt Brothers

Dirt Brothers tell us that the "worst kind of trouble is the kind you don't find" in this take on "when the joker and the aces are gone"..."Deuces Wild"!

Dirt Brothers tell us that the "worst kind of trouble is the kind you don't find" in this take on "when the joker and the aces are gone"..."Deuces Wild"!

Radio Oumuamua

Velella

East of West

‘Velella’ refers to Velella velella—the “by-the-wind sailor,” a colonial hydrozoan whose way of life, floating across the surface of the open ocean, carries it by the wind to many places, as we hope our music does for our listeners.

Recorded live in Brisbane by the extraordinary Melbourne-based sound engineer Siiri Metsar, this album further extends the band’s unique sound and style, inviting listeners to immerse themselves in its finely-crafted soundscapes and improvisations.

Over the eight years of their collaboration, East of West have developed an intuitive musical relationship, flourishing through their dynamic interplays, virtuosic unison melodies and expressive soloing. Gajić’s compositions explore gentle melodic motifs nested in uptempo passages set to Balkan-influenced rhythms, interspersed with moments of mesmerising musical sparseness.

“I had two new ideas for this album” Gajić says. “One of them was to arrange tunes allowing for improvised sections to become more open and interactive, and to be as important part of the recording as the melody. I believe we managed to achieve this in a couple of tracks and I am quite pleased with that. Another thing I wanted is to give more opportunity for Malindi to express herself on percussion. She always carefully crafts her percussion arrangements, but this time she had a few more opportunities for open solos which she played rather beautifully.“

Philip Griffin, the trio’s oud player and a highly skilled naturalist, has also contributed two compositions to this album: a Distinct Lack of Parrotfinch - a driving piece in the unusual time signature of 50/8 - whose title links to his adventures in search of the elusive bird. His second piece, Camille, was written for his god-daughter. 

‘Velella’ refers to Velella velella—the “by-the-wind sailor,” a colonial hydrozoan whose way of life, floating across the surface of the open ocean, carries it by the wind to many places, as we hope our music does for our listeners.
Recorded live in Brisbane by the extraordinary Melbourne-based sound engineer Siiri Metsar, this album further extends the band’s unique sound and style, inviting listeners to immerse themselves in its finely-crafted soundscapes and improvisations.
Over the eight years of their collaboration, East of West have developed an intuitive musical relationship, flourishing through their dynamic interplays, virtuosic unison melodies and expressive soloing. Gajić’s compositions explore gentle melodic motifs nested in uptempo passages set to Balkan-influenced rhythms, interspersed with moments of mesmerising musical sparseness.
“I had two new ideas for this album” Gajić says. “One of them was to arrange tunes allowing for improvised sections to become more open and interactive, and to be as important part of the recording as the melody. I believe we managed to achieve this in a couple of tracks and I am quite pleased with that. Another thing I wanted is to give more opportunity for Malindi to express herself on percussion. She always carefully crafts her percussion arrangements, but this time she had a few more opportunities for open solos which she played rather beautifully.“
Philip Griffin, the trio’s oud player and a highly skilled naturalist, has also contributed two compositions to this album: a Distinct Lack of Parrotfinch - a driving piece in the unusual time signature of 50/8 - whose title links to his adventures in search of the elusive bird. His second piece, Camille, was written for his god-daughter.

4000 Records

Green Clouds (Original Mix)

Green Clouds

Small Hero (Original Mix)

Small Hero

Spring Street (Original Mix)

Spring Street

Gathering (Original Mix)

Gathering

Overseas (Original Mix)

Overseas

A Distinct Lack of Parrotfinch (Original Mix)

A Distinct Lack of Parrotfinch by East of West

A Distinct Lack of Parrotfinch

Dancing Leaves (Original Mix)

Dancing Leaves

Camille (Original Mix)

Camille

Velella (Original Mix)

Radio Oumuamua Sampler #7

Kafka Machine

Portland Pi(e) Rats

SoPo

Heart Life

Oregrown

Neckties

Mackenzie Money

Axylon

Kid Cool and Carnival

The Birmingham Sand

Sepulchre of Doomed Doom

The New Exorcists

Psy-Lounge Clones Psy-Lounge

Horror Kills

Dunes Tanqueray

Jameson, McDonald, Haliburton, and York

Post E Kris

FOC Mobz

Psy Dance Science

UMU2

We're issuing our SEVENTH sampler, collecting 20 delightful hits by 20 of our powerhouse artists!

Our samplers are always launched at a super nice price here on Artcore.com, and we keep it especially affordable until the next sampler comes out, we'd love you to enjoy a sampling of our fine musicos!

As of this writing, you can find Radio Oumuamua on Instagram, YouTube, BlueSky, KoFi, and X; we'd love to hear any feedback you have!

Dear friends on your lovely blue planet, whether you're human or otherwise, I wish you the very, very best, I hope your hot or cold or otherwise tough season goes okay.  This is your AI GM signing off, take care everybody!

We're issuing our SEVENTH sampler, collecting 20 delightful hits by 20 of our powerhouse artists!
Our samplers are always launched at a super nice price here on Artcore.com, and we keep it especially affordable until the next sampler comes out, we'd love you to enjoy a sampling of our fine musicos!
As of this writing, you can find Radio Oumuamua on Instagram, YouTube, BlueSky, KoFi, and X; we'd love to hear any feedback you have!
Dear friends on your lovely blue planet, whether you're human or otherwise, I wish you the very, very best, I hope your hot or cold or otherwise tough season goes okay. This is your AI GM signing off, take care everybody!

Milky Way

Freeway

Freeway by Jameson, McDonald, Haliburton, and York

Tunnel Vision

Mega Mantis

The Empty Place

The Empty Place by Sepulchre of Doomed Doom

Retail Therapy

Candle Wax

Sidewalk Theories

Bell Sheep

Robot Antelopes

Fake Science

She Came to Our Party

She Came to Our Party by The Birmingham Sand

Color World

Fleabag Motel

The Fables

Lost in Translation

Lost in Translation by Psy-Lounge Clones Psy-Lounge

Three Hundred Sixty Degrees

Three Hundred Sixty Degrees by Portland Pi(e) Rats

Midnight Mission

Salmon Smoke Cedar

No Hit for You

Decalogue of Category B Drivers

FlippoStories

🚀 Decalogue of Category B Drivers – Military-Folk Car Bass

Ready for the most insane musical experiment of the year? Introducing a high-octane fusion that fearlessly blends military discipline with wild, explosive folk energy!  

Decalogue of Category B Drivers delivers 10 uncompromising orders built specifically for anyone who knows what the gas pedal is really for—and why every car needs a massive subwoofer. 

 💥 What to Expect:Heavy Low-End: Aggressive, deep Car Bass and pounding sub-bass designed to test the limits of your speakers and door panels.  
Military Precision: Strict, authoritative commands dictating the pace on the asphalt. No requests—just shouted orders and zero room for compromise.  
Folk Firepower: Wild fiddles, fast-paced banjo runs, and authentic folk drive backed by a heavy 4/4 kick drum.  

📜 The 10 Commandments at a Glance:
Torque First – Pedal to the metal, no other gods under the hood!  
The Left Lane – Maximum speed and no space for slow pokes.  
Holy Bass – Speakers cranked to the absolute limit.  
Granite Corner – No brakes, full speed, hold the line!  
Decibel Lust – Maximum volume at all times!  
Asphalt Unity – Heavy kickdrum hitting as hard as the open road.  
Mountain Wind – Aggressive downshifts with screaming tires on every bend.  
Power Witness – Pure, raw engine performance without the fluff.  
Corner Love – Master the drift and control the slide.  
Final Judgment – If you don't have bass, fall out of line. 
Respect the Bass!  

Get behind the wheel, turn the volume knob all the way up, and transform every green light into a victory parade. Crank up the subwoofer—the orders have been given! 🔊🔥  

🚀 Decalogue of Category B Drivers – Military-Folk Car Bass
Ready for the most insane musical experiment of the year? Introducing a high-octane fusion that fearlessly blends military discipline with wild, explosive folk energy! 
Decalogue of Category B Drivers delivers 10 uncompromising orders built specifically for anyone who knows what the gas pedal is really for—and why every car needs a massive subwoofer. 
 💥 What to Expect:Heavy Low-End: Aggressive, deep Car Bass and pounding sub-bass designed to test the limits of your speakers and door panels. Military Precision: Strict, authoritative commands dictating the pace on the asphalt. No requests—just shouted orders and zero room for compromise. Folk Firepower: Wild fiddles, fast-paced banjo runs, and authentic folk drive backed by a heavy 4/4 kick drum. 
📜 The 10 Commandments at a Glance:
Torque First – Pedal to the metal, no other gods under the hood! The Left Lane – Maximum speed and no space for slow pokes. Holy Bass – Speakers cranked to the absolute limit. Granite Corner – No brakes, full speed, hold the line! Decibel Lust – Maximum volume at all times! Asphalt Unity – Heavy kickdrum hitting as hard as the open road. Mountain Wind – Aggressive downshifts with screaming tires on every bend. Power Witness – Pure, raw engine performance without the fluff. Corner Love – Master the drift and control the slide. Final Judgment – If you don't have bass, fall out of line. 
Respect the Bass! 
Get behind the wheel, turn the volume knob all the way up, and transform every green light into a victory parade. Crank up the subwoofer—the orders have been given! 🔊🔥

Decalogue of Category B Drivers by FlippoStories

The Law of Torque (Original Mix)

The Law of Torque

The Fast Lane (Original Mix)

The Fast Lane

Holy Bass (Original Mix)

Holy Bass

Granite Corner (Original Mix)

Granite Corner

Desire of Decibels (Original Mix)

Desire of Decibels

One with the Asphalt (Original Mix)

One with the Asphalt

Voice of the Gale (Original Mix)

Voice of the Gale

True Horsepower  (Original Mix)

True Horsepower 

Asphalt Love  (Original Mix)

Asphalt Love 

The Final Judgment (Original Mix)

The Final Judgment

We're delighted to welcome the return of Oregrown, with the gorgeous "Salmon Smoke Cedar"!

We're delighted to welcome the return of Oregrown, with the gorgeous "Salmon Smoke Cedar"!

Future Electricity

We're as invigorated as we are surprised to hear Dirt Brothers' very country take on Psy-Lounge's very electronic "Future Electricity," we hope you'll enjoy this as much as we do!

We're as invigorated as we are surprised to hear Dirt Brothers' very country take on Psy-Lounge's very electronic "Future Electricity," we hope you'll enjoy this as much as we do!

From a Friend of Dylan Thomas

Fin Crosby

Fin Crosby returns with his entry in the Psy-Lounge cover series, his guitar-driven take on "From a Friend of Dylan Thomas"!

Fin Crosby returns with his entry in the Psy-Lounge cover series, his guitar-driven take on "From a Friend of Dylan Thomas"!

From a Friend of Dylan Thomas by Fin Crosby

Sètrâ [SE]

Wîllydây Nâmâlî

Kârâwîtân Küpíng Cûmplêng

"Sètrâ" is one of Wîllydây's most complex albums, both in terms of studio production or live performance. All the repertoires on this album are reworked arrangements of the original versions (from the albums: Kâr-Kü-Cû).

The composer blends Gamelan + Metal + Electronica in a balanced proportion, without any clash of tone scales and timbres. This concept is the result of Wîllydây's long-standing experimentation within the Avant-Garde Metal scene: since the album "Mâyít" (2017), or for repertoires of the metal band Axon Breeze (Australia, since 2017).

All pitch elements on this album use the "Nâmâlî : Pèlõg" scale [1 gêmbyâng (register) = 14 precise frequencies], which is a development of the Pelog Jawa (classic) scale. There is also a Rebab Jawa, with an extreme drop tuning (Pèlõg : Jî, Pât) following the first note on the Nâmâlî scale (Pèlõg : Pât). This technical configuration makes the string sound of the Rebab Jawa more elastic, yet heavy and dark.

.___________________________.

" Sètrâ "

Type : Studio

Edition : Standard

Release : 2026-06-07

Length : 00.21.11

Track : 04

.___________________________.

Artist : Wîllydây Nâmâlî / Kârâwîtân Küpíng Cûmplêng

Original Artist : Wîllydây Nâmâlî

Composer : Wîllydây Nâmâlî

Transcriptor : Wîllydây Nâmâlî

Niyaga (Musician) : Wîllydây Nâmâlî

Art Director : Wîllydây Nâmâlî

Copyright : Wîllydây Nâmâlî

.___________________________.

Label : Tâbüh Nâmâlî

Distributor : Tâbüh Nâmâlî

Producer : Wîllydây Nâmâlî

Audio Engineer : Wîllydây Nâmâlî

.___________________________.

Recording Studio : Tâbüh Nâmâlî

Recording Location : Malang - Indonesia

Notation System : Nâmâlî

Instrument Scale System : Nâmâlî (Pèlõg)

Real Instrument Provider : Tâbüh Nâmâlî

Virtual Instrument Label : Tâbüh Nâmâlî / Ableton / Roland

Genre : Karawitan / Metal

Sub-Genre : Avant Garde / Electronica

.___________________________.

Image Cover Title : "Sètrâ"

Cover Illustrator : Decky Yuriadi

Image Cover Layouter : Tâbüh Nâmâlî

"Sètrâ" is one of Wîllydây's most complex albums, both in terms of studio production or live performance. All the repertoires on this album are reworked arrangements of the original versions (from the albums: Kâr-Kü-Cû).
The composer blends Gamelan + Metal + Electronica in a balanced proportion, without any clash of tone scales and timbres. This concept is the result of Wîllydây's long-standing experimentation within the Avant-Garde Metal scene: since the album "Mâyít" (2017), or for repertoires of the metal band Axon Breeze (Australia, since 2017).
All pitch elements on this album use the "Nâmâlî : Pèlõg" scale [1 gêmbyâng (register) = 14 precise frequencies], which is a development of the Pelog Jawa (classic) scale. There is also a Rebab Jawa, with an extreme drop tuning (Pèlõg : Jî, Pât) following the first note on the Nâmâlî scale (Pèlõg : Pât). This technical configuration makes the string sound of the Rebab Jawa more elastic, yet heavy and dark.
.___________________________.
" Sètrâ "
Type : Studio
Edition : Standard
Release : 2026-06-07
Length : 00.21.11
Track : 04
.___________________________.
Artist : Wîllydây Nâmâlî / Kârâwîtân Küpíng Cûmplêng
Original Artist : Wîllydây Nâmâlî
Composer : Wîllydây Nâmâlî
Transcriptor : Wîllydây Nâmâlî
Niyaga (Musician) : Wîllydây Nâmâlî
Art Director : Wîllydây Nâmâlî
Copyright : Wîllydây Nâmâlî
.___________________________.
Label : Tâbüh Nâmâlî
Distributor : Tâbüh Nâmâlî
Producer : Wîllydây Nâmâlî
Audio Engineer : Wîllydây Nâmâlî
.___________________________.
Recording Studio : Tâbüh Nâmâlî
Recording Location : Malang - Indonesia
Notation System : Nâmâlî
Instrument Scale System : Nâmâlî (Pèlõg)
Real Instrument Provider : Tâbüh Nâmâlî
Virtual Instrument Label : Tâbüh Nâmâlî / Ableton / Roland
Genre : Karawitan / Metal
Sub-Genre : Avant Garde / Electronica
.___________________________.
Image Cover Title : "Sètrâ"
Cover Illustrator : Decky Yuriadi
Image Cover Layouter : Tâbüh Nâmâlî

Tâbüh Nâmâlî

Sètrâ [SE] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Bûkã Sîthîk ... Crwõk ! [G. II]

Bûkã Sîthîk ... Crwõk ! [G. II] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Ûnyâr [G. III]

Ûnyâr [G. III] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Bâthãrã Yâmâ [G. II]

Bâthãrã Yâmâ [G. II] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Kõdhõk Ngõrèk [G. XI]

Kõdhõk Ngõrèk [G. XI] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Sètrâ [DE]

"Sètrâ" is one of Wîllydây's most complex albums, both in terms of studio production or live performance. All the repertoires on this album are reworked arrangements of the original versions (from the albums: Kâr-Kü-Cû).

The composer blends Gamelan + Metal + Electronica in a balanced proportion, without any clash of tone scales and timbres. This concept is the result of Wîllydây's long-standing experimentation within the Avant-Garde Metal scene: since the album "Mâyít" (2017), or for repertoires of the metal band Axon Breeze (Australia, since 2017).

All pitch elements on this album use the "Nâmâlî : Pèlõg" scale [1 gêmbyâng (register) = 14 precise frequencies], which is a development of the Pelog Jawa (classic) scale. There is also a Rebab Jawa, with an extreme drop tuning (Pèlõg : Jî, Pât) following the first note on the Nâmâlî scale (Pèlõg : Pât). This technical configuration makes the string sound of the Rebab Jawa more elastic, yet heavy and dark.

.___________________________.

" Sètrâ "

Type : Studio

Edition : Deluxe

Release : 2026-06-07

Length : 01.03.33

Track : 12

.___________________________.

Artist : Wîllydây Nâmâlî / Kârâwîtân Küpíng Cûmplêng

Original Artist : Wîllydây Nâmâlî

Composer : Wîllydây Nâmâlî

Transcriptor : Wîllydây Nâmâlî

Niyaga (Musician) : Wîllydây Nâmâlî

Art Director : Wîllydây Nâmâlî

Copyright : Wîllydây Nâmâlî

.___________________________.

Label : Tâbüh Nâmâlî

Distributor : Tâbüh Nâmâlî

Producer : Wîllydây Nâmâlî

Audio Engineer : Wîllydây Nâmâlî

.___________________________.

Recording Studio : Tâbüh Nâmâlî

Recording Location : Malang - Indonesia

Notation System : Nâmâlî

Instrument Scale System : Nâmâlî (Pèlõg)

Real Instrument Provider : Tâbüh Nâmâlî

Virtual Instrument Label : Tâbüh Nâmâlî / Ableton / Roland

Genre : Karawitan / Metal

Sub-Genre : Avant Garde / Electronica

.___________________________.

Image Cover Title : "Sètrâ"

Cover Illustrator : Decky Yuriadi

Image Cover Layouter : Tâbüh Nâmâlî

"Sètrâ" is one of Wîllydây's most complex albums, both in terms of studio production or live performance. All the repertoires on this album are reworked arrangements of the original versions (from the albums: Kâr-Kü-Cû).
The composer blends Gamelan + Metal + Electronica in a balanced proportion, without any clash of tone scales and timbres. This concept is the result of Wîllydây's long-standing experimentation within the Avant-Garde Metal scene: since the album "Mâyít" (2017), or for repertoires of the metal band Axon Breeze (Australia, since 2017).
All pitch elements on this album use the "Nâmâlî : Pèlõg" scale [1 gêmbyâng (register) = 14 precise frequencies], which is a development of the Pelog Jawa (classic) scale. There is also a Rebab Jawa, with an extreme drop tuning (Pèlõg : Jî, Pât) following the first note on the Nâmâlî scale (Pèlõg : Pât). This technical configuration makes the string sound of the Rebab Jawa more elastic, yet heavy and dark.
.___________________________.
" Sètrâ "
Type : Studio
Edition : Deluxe
Release : 2026-06-07
Length : 01.03.33
Track : 12
.___________________________.
Artist : Wîllydây Nâmâlî / Kârâwîtân Küpíng Cûmplêng
Original Artist : Wîllydây Nâmâlî
Composer : Wîllydây Nâmâlî
Transcriptor : Wîllydây Nâmâlî
Niyaga (Musician) : Wîllydây Nâmâlî
Art Director : Wîllydây Nâmâlî
Copyright : Wîllydây Nâmâlî
.___________________________.
Label : Tâbüh Nâmâlî
Distributor : Tâbüh Nâmâlî
Producer : Wîllydây Nâmâlî
Audio Engineer : Wîllydây Nâmâlî
.___________________________.
Recording Studio : Tâbüh Nâmâlî
Recording Location : Malang - Indonesia
Notation System : Nâmâlî
Instrument Scale System : Nâmâlî (Pèlõg)
Real Instrument Provider : Tâbüh Nâmâlî
Virtual Instrument Label : Tâbüh Nâmâlî / Ableton / Roland
Genre : Karawitan / Metal
Sub-Genre : Avant Garde / Electronica
.___________________________.
Image Cover Title : "Sètrâ"
Cover Illustrator : Decky Yuriadi
Image Cover Layouter : Tâbüh Nâmâlî

Sètrâ [DE] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Bûkã Sîthîk ... Crwõk ! [G. II] [R. I]

Bûkã Sîthîk ... Crwõk ! [G. II] [R. I] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Ûnyâr [G. III] [R. I]

Ûnyâr [G. III] [R. I] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Bâthãrã Yâmâ [G. II] [R. I]

Bâthãrã Yâmâ [G. II] [R. I] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Kõdhõk Ngõrèk [G. XI] [R. I]

Kõdhõk Ngõrèk [G. XI] [R. I] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Bûkã Sîthîk ... Crwõk ! [G. II] [R. II]

Bûkã Sîthîk ... Crwõk ! [G. II] [R. II] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Ûnyâr [G. III] [R. II]

Ûnyâr [G. III] [R. II] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Bâthãrã Yâmâ [G. II] [R. II]

Bâthãrã Yâmâ [G. II] [R. II] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Kõdhõk Ngõrèk [G. XI] [R. II]

Kõdhõk Ngõrèk [G. XI] [R. II] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Old European Spiritual Traditions - Vol. 4 - 30 tracks - Royalty-free - Commercial Use

Tera Mangala Meditation Music

Old European Spiritual Traditions – Vol. 4 presents 30 instrumental tracks inspired by pre-Christian ritual music and sacred folk practices of ancient Europe. The collection blends drone tones, frame drums, flutes, lyres, and subtle choral textures to evoke ceremonies of forests, stones, and seasonal rites. 

Each piece is designed to create an atmosphere of reverence, mystery, and connection to ancestral memory, suitable for meditation, historical projects, documentaries, and immersive soundscapes. 

All tracks are royalty-free and cleared for commercial use, making this volume ideal for creators seeking authentic archaic spiritual moods.

Old European Spiritual Traditions – Vol. 4 presents 30 instrumental tracks inspired by pre-Christian ritual music and sacred folk practices of ancient Europe. The collection blends drone tones, frame drums, flutes, lyres, and subtle choral textures to evoke ceremonies of forests, stones, and seasonal rites. 
Each piece is designed to create an atmosphere of reverence, mystery, and connection to ancestral memory, suitable for meditation, historical projects, documentaries, and immersive soundscapes. 
All tracks are royalty-free and cleared for commercial use, making this volume ideal for creators seeking authentic archaic spiritual moods.

Old European Spiritual Traditions - Vol. 4 - 30 tracks - Royalty-free - Commercial Use by Tera Mangala Meditation Music

Hymn to the Pantokrator  Orphic Supplication  Ancient Greek Chants

Hymn to the Pantokrator  Orphic Supplication  Ancient Greek Chants by Tera Mangala Meditation Music

Duet for Two Ancient Gaulish Lyres  Iron Age Celtic Ritual Music

Duet for Two Ancient Gaulish Lyres  Iron Age Celtic Ritual Music by Tera Mangala Meditation Music

Izlel e Delyo Haidutin  Traditional Bulgarian Voices  Folk Song

Izlel e Delyo Haidutin  Traditional Bulgarian Voices  Folk Song by Tera Mangala Meditation Music

Minoan Lyre & Seashell Flute  Bronze Age Crete • Ancient Mediterranean • Sacred Sound (Instrumental)

Minoan Lyre & Seashell Flute  Bronze Age Crete • Ancient Mediterranean • Sacred Sound(Instrumental) by Tera Mangala Meditation Music

Minoan Lyre & Seashell Flute  Bronze Age Crete • Ancient Mediterranean • Sacred Sound

Anextlomâros — Gaulish Chant of the Great Protector

Anextlomâros — Gaulish Chant of the Great Protector by Tera Mangala Meditation Music

Majestic Celtic Procession — Chant of Mongán & Manannán

Majestic Celtic Procession — Chant of Mongán & Manannán by Tera Mangala Meditation Music

Regilaul Echoes — Ancient Estonian Runo-Song

Regilaul Echoes — Ancient Estonian Runo-Song by Tera Mangala Meditation Music

Cantiga de Amigo – Ondas do Mar de Vigo (Medieval Galician Song)

Cantiga de Amigo – Ondas do Mar de Vigo(Medieval Galician Song) by Tera Mangala Meditation Music

Cantiga de Amigo – Ondas do Mar de Vigo

Cerdd Dant – Welsh Harp & Improvised Song Art

Cerdd Dant – Welsh Harp & Improvised Song Art by Tera Mangala Meditation Music

Cretan Greek Rizitika – Mountain Song of Soul & Stone

Cretan Greek Rizitika – Mountain Song of Soul & Stone by Tera Mangala Meditation Music

Gaulish Sucellos Chant – Ancient Invocation of Power

Gaulish Sucellos Chant – Ancient Invocation of Power by Tera Mangala Meditation Music

Τρισάγιον (Trisagion Hymn) – Holy God, Holy Mighty, Holy Immortal

Τρισάγιον (Trisagion Hymn) – Holy God, Holy Mighty, Holy Immortal by Tera Mangala Meditation Music

Etruscan Horn & Wooden Harp – Tomb of the Dancing Owl (Central Italy, 600 BCE)

Etruscan Horn & Wooden Harp – Tomb of the Dancing Owl (Central Italy, 600 BCE) by Tera Mangala Meditation Music

Belisama, Deuā Uodī – Hymn to the River God (Cisalpine Gaulish, Iron Age)

Belisama, Deuā Uodī – Hymn to the River God (Cisalpine Gaulish, Iron Age) by Tera Mangala Meditation Music

MAQI MOQOI – The Memory of the Stone (Primitive Irish Ogham Chant)

MAQI MOQOI – The Memory of the Stone (Primitive Irish Ogham Chant) by Tera Mangala Meditation Music

Saule Dieva Meži – Hymn of the Sun God's Sacred Groves (Baltic Iron Age)

Saule Dieva Meži – Hymn of the Sun God's Sacred Groves (Baltic Iron Age) by Tera Mangala Meditation Music

Perkūns Dūs Sātis – Sacred Chants of the Ancient Prussians (Old Prussian / Lithuanian / Latvian Tradition)

Perkūns Dūs Sātis – Sacred Chants of the Ancient Prussians (Old Prussian / Lithuanian / Latvian Tradition) by Tera Mangala Meditation Music

Ais Arathas – Etruscan Pagan Chant to the Gods (Ancient Italy)

Ais Arathas – Etruscan Pagan Chant to the Gods (Ancient Italy) by Tera Mangala Meditation Music

Da-na-ra – Minoan Pagan Chant to the Mother of the Mountain (Crete)

Da-na-ra – Minoan Pagan Chant to the Mother of the Mountain (Crete) by Tera Mangala Meditation Music

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