Sètrâ [SE]

Wîllydây Nâmâlî

Kârâwîtân Küpíng Cûmplêng

"Sètrâ" is one of Wîllydây's most complex albums, both in terms of studio production or live performance. All the repertoires on this album are reworked arrangements of the original versions (from the albums: Kâr-Kü-Cû).

The composer blends Gamelan + Metal + Electronica in a balanced proportion, without any clash of tone scales and timbres. This concept is the result of Wîllydây's long-standing experimentation within the Avant-Garde Metal scene: since the album "Mâyít" (2017), or for repertoires of the metal band Axon Breeze (Australia, since 2017).

All pitch elements on this album use the "Nâmâlî : Pèlõg" scale [1 gêmbyâng (register) = 14 precise frequencies], which is a development of the Pelog Jawa (classic) scale. There is also a Rebab Jawa, with an extreme drop tuning (Pèlõg : Jî, Pât) following the first note on the Nâmâlî scale (Pèlõg : Pât). This technical configuration makes the string sound of the Rebab Jawa more elastic, yet heavy and dark.

.___________________________.

" Sètrâ "

Type : Studio

Edition : Standard

Release : 2026-06-07

Length : 00.21.11

Track : 04

.___________________________.

Artist : Wîllydây Nâmâlî / Kârâwîtân Küpíng Cûmplêng

Original Artist : Wîllydây Nâmâlî

Composer : Wîllydây Nâmâlî

Transcriptor : Wîllydây Nâmâlî

Niyaga (Musician) : Wîllydây Nâmâlî

Art Director : Wîllydây Nâmâlî

Copyright : Wîllydây Nâmâlî

.___________________________.

Label : Tâbüh Nâmâlî

Distributor : Tâbüh Nâmâlî

Producer : Wîllydây Nâmâlî

Audio Engineer : Wîllydây Nâmâlî

.___________________________.

Recording Studio : Tâbüh Nâmâlî

Recording Location : Malang - Indonesia

Notation System : Nâmâlî

Instrument Scale System : Nâmâlî (Pèlõg)

Real Instrument Provider : Tâbüh Nâmâlî

Virtual Instrument Label : Tâbüh Nâmâlî / Ableton / Roland

Genre : Karawitan / Metal

Sub-Genre : Avant Garde / Electronica

.___________________________.

Image Cover Title : "Sètrâ"

Cover Illustrator : Decky Yuriadi

Image Cover Layouter : Tâbüh Nâmâlî

"Sètrâ" is one of Wîllydây's most complex albums, both in terms of studio production or live performance. All the repertoires on this album are reworked arrangements of the original versions (from the albums: Kâr-Kü-Cû).
The composer blends Gamelan + Metal + Electronica in a balanced proportion, without any clash of tone scales and timbres. This concept is the result of Wîllydây's long-standing experimentation within the Avant-Garde Metal scene: since the album "Mâyít" (2017), or for repertoires of the metal band Axon Breeze (Australia, since 2017).
All pitch elements on this album use the "Nâmâlî : Pèlõg" scale [1 gêmbyâng (register) = 14 precise frequencies], which is a development of the Pelog Jawa (classic) scale. There is also a Rebab Jawa, with an extreme drop tuning (Pèlõg : Jî, Pât) following the first note on the Nâmâlî scale (Pèlõg : Pât). This technical configuration makes the string sound of the Rebab Jawa more elastic, yet heavy and dark.
.___________________________.
" Sètrâ "
Type : Studio
Edition : Standard
Release : 2026-06-07
Length : 00.21.11
Track : 04
.___________________________.
Artist : Wîllydây Nâmâlî / Kârâwîtân Küpíng Cûmplêng
Original Artist : Wîllydây Nâmâlî
Composer : Wîllydây Nâmâlî
Transcriptor : Wîllydây Nâmâlî
Niyaga (Musician) : Wîllydây Nâmâlî
Art Director : Wîllydây Nâmâlî
Copyright : Wîllydây Nâmâlî
.___________________________.
Label : Tâbüh Nâmâlî
Distributor : Tâbüh Nâmâlî
Producer : Wîllydây Nâmâlî
Audio Engineer : Wîllydây Nâmâlî
.___________________________.
Recording Studio : Tâbüh Nâmâlî
Recording Location : Malang - Indonesia
Notation System : Nâmâlî
Instrument Scale System : Nâmâlî (Pèlõg)
Real Instrument Provider : Tâbüh Nâmâlî
Virtual Instrument Label : Tâbüh Nâmâlî / Ableton / Roland
Genre : Karawitan / Metal
Sub-Genre : Avant Garde / Electronica
.___________________________.
Image Cover Title : "Sètrâ"
Cover Illustrator : Decky Yuriadi
Image Cover Layouter : Tâbüh Nâmâlî

Tâbüh Nâmâlî

Sètrâ [SE] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Bûkã Sîthîk ... Crwõk ! [G. II]

Bûkã Sîthîk ... Crwõk ! [G. II] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Ûnyâr [G. III]

Ûnyâr [G. III] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Bâthãrã Yâmâ [G. II]

Bâthãrã Yâmâ [G. II] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Kõdhõk Ngõrèk [G. XI]

Kõdhõk Ngõrèk [G. XI] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Sètrâ [DE]

"Sètrâ" is one of Wîllydây's most complex albums, both in terms of studio production or live performance. All the repertoires on this album are reworked arrangements of the original versions (from the albums: Kâr-Kü-Cû).

The composer blends Gamelan + Metal + Electronica in a balanced proportion, without any clash of tone scales and timbres. This concept is the result of Wîllydây's long-standing experimentation within the Avant-Garde Metal scene: since the album "Mâyít" (2017), or for repertoires of the metal band Axon Breeze (Australia, since 2017).

All pitch elements on this album use the "Nâmâlî : Pèlõg" scale [1 gêmbyâng (register) = 14 precise frequencies], which is a development of the Pelog Jawa (classic) scale. There is also a Rebab Jawa, with an extreme drop tuning (Pèlõg : Jî, Pât) following the first note on the Nâmâlî scale (Pèlõg : Pât). This technical configuration makes the string sound of the Rebab Jawa more elastic, yet heavy and dark.

.___________________________.

" Sètrâ "

Type : Studio

Edition : Deluxe

Release : 2026-06-07

Length : 01.03.33

Track : 12

.___________________________.

Artist : Wîllydây Nâmâlî / Kârâwîtân Küpíng Cûmplêng

Original Artist : Wîllydây Nâmâlî

Composer : Wîllydây Nâmâlî

Transcriptor : Wîllydây Nâmâlî

Niyaga (Musician) : Wîllydây Nâmâlî

Art Director : Wîllydây Nâmâlî

Copyright : Wîllydây Nâmâlî

.___________________________.

Label : Tâbüh Nâmâlî

Distributor : Tâbüh Nâmâlî

Producer : Wîllydây Nâmâlî

Audio Engineer : Wîllydây Nâmâlî

.___________________________.

Recording Studio : Tâbüh Nâmâlî

Recording Location : Malang - Indonesia

Notation System : Nâmâlî

Instrument Scale System : Nâmâlî (Pèlõg)

Real Instrument Provider : Tâbüh Nâmâlî

Virtual Instrument Label : Tâbüh Nâmâlî / Ableton / Roland

Genre : Karawitan / Metal

Sub-Genre : Avant Garde / Electronica

.___________________________.

Image Cover Title : "Sètrâ"

Cover Illustrator : Decky Yuriadi

Image Cover Layouter : Tâbüh Nâmâlî

"Sètrâ" is one of Wîllydây's most complex albums, both in terms of studio production or live performance. All the repertoires on this album are reworked arrangements of the original versions (from the albums: Kâr-Kü-Cû).
The composer blends Gamelan + Metal + Electronica in a balanced proportion, without any clash of tone scales and timbres. This concept is the result of Wîllydây's long-standing experimentation within the Avant-Garde Metal scene: since the album "Mâyít" (2017), or for repertoires of the metal band Axon Breeze (Australia, since 2017).
All pitch elements on this album use the "Nâmâlî : Pèlõg" scale [1 gêmbyâng (register) = 14 precise frequencies], which is a development of the Pelog Jawa (classic) scale. There is also a Rebab Jawa, with an extreme drop tuning (Pèlõg : Jî, Pât) following the first note on the Nâmâlî scale (Pèlõg : Pât). This technical configuration makes the string sound of the Rebab Jawa more elastic, yet heavy and dark.
.___________________________.
" Sètrâ "
Type : Studio
Edition : Deluxe
Release : 2026-06-07
Length : 01.03.33
Track : 12
.___________________________.
Artist : Wîllydây Nâmâlî / Kârâwîtân Küpíng Cûmplêng
Original Artist : Wîllydây Nâmâlî
Composer : Wîllydây Nâmâlî
Transcriptor : Wîllydây Nâmâlî
Niyaga (Musician) : Wîllydây Nâmâlî
Art Director : Wîllydây Nâmâlî
Copyright : Wîllydây Nâmâlî
.___________________________.
Label : Tâbüh Nâmâlî
Distributor : Tâbüh Nâmâlî
Producer : Wîllydây Nâmâlî
Audio Engineer : Wîllydây Nâmâlî
.___________________________.
Recording Studio : Tâbüh Nâmâlî
Recording Location : Malang - Indonesia
Notation System : Nâmâlî
Instrument Scale System : Nâmâlî (Pèlõg)
Real Instrument Provider : Tâbüh Nâmâlî
Virtual Instrument Label : Tâbüh Nâmâlî / Ableton / Roland
Genre : Karawitan / Metal
Sub-Genre : Avant Garde / Electronica
.___________________________.
Image Cover Title : "Sètrâ"
Cover Illustrator : Decky Yuriadi
Image Cover Layouter : Tâbüh Nâmâlî

Sètrâ [DE] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Bûkã Sîthîk ... Crwõk ! [G. II] [R. I]

Bûkã Sîthîk ... Crwõk ! [G. II] [R. I] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Ûnyâr [G. III] [R. I]

Ûnyâr [G. III] [R. I] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Bâthãrã Yâmâ [G. II] [R. I]

Bâthãrã Yâmâ [G. II] [R. I] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Kõdhõk Ngõrèk [G. XI] [R. I]

Kõdhõk Ngõrèk [G. XI] [R. I] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Bûkã Sîthîk ... Crwõk ! [G. II] [R. II]

Bûkã Sîthîk ... Crwõk ! [G. II] [R. II] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Ûnyâr [G. III] [R. II]

Ûnyâr [G. III] [R. II] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Bâthãrã Yâmâ [G. II] [R. II]

Bâthãrã Yâmâ [G. II] [R. II] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Kõdhõk Ngõrèk [G. XI] [R. II]

Kõdhõk Ngõrèk [G. XI] [R. II] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Gõg Mâgõg [SE]

Eschatological theories concerning Gog-Magog (גּוֹג וּמָגוֹג) / Ya'juj-Ma'juj (يَأْجُوجُ وَمَأْجُوجُ) are widespread across many religions. Gog-Magog are invariably associated with the enemies of humanity, or even an enemy of God.

This repertoire is the result of the composer's interpretation of various religious texts and historical literature. The key word in the title is "Sêkât", which is explicitly intended to mean a barrier (metal wall or locking gate), built by Alexander the Great / Iskandar Zul-Qarnayn (إسكندر ذو القرنين) to confine Gog-Magog. More specifically, regarding Gog-Magog's struggle to break the world's seal.

The genre of this album is very much 'Techno', reminiscent of the 80s or 90s. The difference is that, throughout, the album uses the "Nâmâlî (Nî Ûrâwrîngâ)" scale, with 44 notes in 1 octave. Several virtual Synthesizer have been retuned to the Nî Ûrâwrîngâ scale.

.___________________________.

" Gõg Mâgõg "

Type : Studio

Edition : Standard

Release : 2023-01-17

Length : 00.19.40

Track : 02

.___________________________.

Artist : Wîllydây Nâmâlî

Original Artist : Wîllydây Nâmâlî

Composer : Wîllydây Nâmâlî

Transcriptor : Wîllydây Nâmâlî

Niyaga (Musician) : Wîllydây Nâmâlî

Art Director : Wîllydây Nâmâlî

Copyright : Wîllydây Nâmâlî

.___________________________.

Label : Tâbüh Nâmâlî

Distributor : Tâbüh Nâmâlî

Producer : Wîllydây Nâmâlî

Audio Engineer : Wîllydây Nâmâlî

.___________________________.

Recording Studio : Tâbüh Nâmâlî

Recording Location : Malang - Indonesia

Notation System : Nâmâlî

Instrument Scale System : Nâmâlî (Nî Ûrâwrîngâ)

Real Instrument Provider : Tâbüh Nâmâlî

Virtual Instrument Label : Tâbüh Nâmâlî / Ableton / Vital / Alan Vista

Genre : Electronica / Avant Garde

Sub-Genre : Karawitan / World

.___________________________.

Calligraphy Title : "Yâ'jûj Mâ'jûj"

Image Cover Title : "Gõg Mâgõg"

Calligrapher : Wîllydây Nâmâlî

Cover Illustrator : Wîllydây Nâmâlî

Image Cover Layouter : Tâbüh Nâmâlî

Eschatological theories concerning Gog-Magog (גּוֹג וּמָגוֹג) / Ya'juj-Ma'juj (يَأْجُوجُ وَمَأْجُوجُ) are widespread across many religions. Gog-Magog are invariably associated with the enemies of humanity, or even an enemy of God.
This repertoire is the result of the composer's interpretation of various religious texts and historical literature. The key word in the title is "Sêkât", which is explicitly intended to mean a barrier (metal wall or locking gate), built by Alexander the Great / Iskandar Zul-Qarnayn (إسكندر ذو القرنين) to confine Gog-Magog. More specifically, regarding Gog-Magog's struggle to break the world's seal.
The genre of this album is very much 'Techno', reminiscent of the 80s or 90s. The difference is that, throughout, the album uses the "Nâmâlî (Nî Ûrâwrîngâ)" scale, with 44 notes in 1 octave. Several virtual Synthesizer have been retuned to the Nî Ûrâwrîngâ scale.
.___________________________.
" Gõg Mâgõg "
Type : Studio
Edition : Standard
Release : 2023-01-17
Length : 00.19.40
Track : 02
.___________________________.
Artist : Wîllydây Nâmâlî
Original Artist : Wîllydây Nâmâlî
Composer : Wîllydây Nâmâlî
Transcriptor : Wîllydây Nâmâlî
Niyaga (Musician) : Wîllydây Nâmâlî
Art Director : Wîllydây Nâmâlî
Copyright : Wîllydây Nâmâlî
.___________________________.
Label : Tâbüh Nâmâlî
Distributor : Tâbüh Nâmâlî
Producer : Wîllydây Nâmâlî
Audio Engineer : Wîllydây Nâmâlî
.___________________________.
Recording Studio : Tâbüh Nâmâlî
Recording Location : Malang - Indonesia
Notation System : Nâmâlî
Instrument Scale System : Nâmâlî (Nî Ûrâwrîngâ)
Real Instrument Provider : Tâbüh Nâmâlî
Virtual Instrument Label : Tâbüh Nâmâlî / Ableton / Vital / Alan Vista
Genre : Electronica / Avant Garde
Sub-Genre : Karawitan / World
.___________________________.
Calligraphy Title : "Yâ'jûj Mâ'jûj"
Image Cover Title : "Gõg Mâgõg"
Calligrapher : Wîllydây Nâmâlî
Cover Illustrator : Wîllydây Nâmâlî
Image Cover Layouter : Tâbüh Nâmâlî

Gõg Mâgõg [SE] by Wîllydây Nâmâlî

Sêkât Gõg Mâgõg (Yâ'jûj Mâ'jûj) [G. I]

Sêkât Gõg Mâgõg (Yâ'jûj Mâ'jûj) [G. I](Yâ'jûj-Mâ'jûj) by Wîllydây Nâmâlî

Sêkât Gõg Mâgõg (Yâ'jûj Mâ'jûj) [G. II]

Sêkât Gõg Mâgõg (Yâ'jûj Mâ'jûj) [G. II] by Wîllydây Nâmâlî

Gõg Mâgõg [DE]

Eschatological theories concerning Gog-Magog (גּוֹג וּמָגוֹג) / Ya'juj-Ma'juj (يَأْجُوجُ وَمَأْجُوجُ) are widespread across many religions. Gog-Magog are invariably associated with the enemies of humanity, or even an enemy of God.

This repertoire is the result of the composer's interpretation of various religious texts and historical literature. The key word in the title is "Sêkât", which is explicitly intended to mean a barrier (metal wall or locking gate), built by Alexander the Great / Iskandar Zul-Qarnayn (إسكندر ذو القرنين) to confine Gog-Magog. More specifically, regarding Gog-Magog's struggle to break the world's seal.

The genre of this album is very much 'Techno', reminiscent of the 80s or 90s. The difference is that, throughout, the album uses the "Nâmâlî (Nî Ûrâwrîngâ)" scale, with 44 notes in 1 octave. Several virtual Synthesizer have been retuned to the Nî Ûrâwrîngâ scale.

.___________________________.

" Gõg Mâgõg "

Type : Studio

Edition : Deluxe

Release : 2023-01-17

Length : 00.50.07

Track : 05

.___________________________.

Artist : Wîllydây Nâmâlî

Original Artist : Wîllydây Nâmâlî

Composer : Wîllydây Nâmâlî

Transcriptor : Wîllydây Nâmâlî

Niyaga (Musician) : Wîllydây Nâmâlî

Art Director : Wîllydây Nâmâlî

Copyright : Wîllydây Nâmâlî

.___________________________.

Label : Tâbüh Nâmâlî

Distributor : Tâbüh Nâmâlî

Producer : Wîllydây Nâmâlî

Audio Engineer : Wîllydây Nâmâlî

.___________________________.

Recording Studio : Tâbüh Nâmâlî

Recording Location : Malang - Indonesia

Notation System : Nâmâlî

Instrument Scale System : Nâmâlî (Nî Ûrâwrîngâ)

Real Instrument Provider : Tâbüh Nâmâlî

Virtual Instrument Label : Tâbüh Nâmâlî / Ableton / Vital / Alan Vista

Genre : Electronica / Avant Garde

Sub-Genre : Karawitan / World

.___________________________.

Calligraphy Title : "Yâ'jûj Mâ'jûj"

Image Cover Title : "Gõg Mâgõg"

Calligrapher : Wîllydây Nâmâlî

Cover Illustrator : Wîllydây Nâmâlî

Image Cover Layouter : Tâbüh Nâmâlî

Eschatological theories concerning Gog-Magog (גּוֹג וּמָגוֹג) / Ya'juj-Ma'juj (يَأْجُوجُ وَمَأْجُوجُ) are widespread across many religions. Gog-Magog are invariably associated with the enemies of humanity, or even an enemy of God.
This repertoire is the result of the composer's interpretation of various religious texts and historical literature. The key word in the title is "Sêkât", which is explicitly intended to mean a barrier (metal wall or locking gate), built by Alexander the Great / Iskandar Zul-Qarnayn (إسكندر ذو القرنين) to confine Gog-Magog. More specifically, regarding Gog-Magog's struggle to break the world's seal.
The genre of this album is very much 'Techno', reminiscent of the 80s or 90s. The difference is that, throughout, the album uses the "Nâmâlî (Nî Ûrâwrîngâ)" scale, with 44 notes in 1 octave. Several virtual Synthesizer have been retuned to the Nî Ûrâwrîngâ scale.
.___________________________.
" Gõg Mâgõg "
Type : Studio
Edition : Deluxe
Release : 2023-01-17
Length : 00.50.07
Track : 05
.___________________________.
Artist : Wîllydây Nâmâlî
Original Artist : Wîllydây Nâmâlî
Composer : Wîllydây Nâmâlî
Transcriptor : Wîllydây Nâmâlî
Niyaga (Musician) : Wîllydây Nâmâlî
Art Director : Wîllydây Nâmâlî
Copyright : Wîllydây Nâmâlî
.___________________________.
Label : Tâbüh Nâmâlî
Distributor : Tâbüh Nâmâlî
Producer : Wîllydây Nâmâlî
Audio Engineer : Wîllydây Nâmâlî
.___________________________.
Recording Studio : Tâbüh Nâmâlî
Recording Location : Malang - Indonesia
Notation System : Nâmâlî
Instrument Scale System : Nâmâlî (Nî Ûrâwrîngâ)
Real Instrument Provider : Tâbüh Nâmâlî
Virtual Instrument Label : Tâbüh Nâmâlî / Ableton / Vital / Alan Vista
Genre : Electronica / Avant Garde
Sub-Genre : Karawitan / World
.___________________________.
Calligraphy Title : "Yâ'jûj Mâ'jûj"
Image Cover Title : "Gõg Mâgõg"
Calligrapher : Wîllydây Nâmâlî
Cover Illustrator : Wîllydây Nâmâlî
Image Cover Layouter : Tâbüh Nâmâlî

Gõg Mâgõg [DE] by Wîllydây Nâmâlî

Sêkât Gõg Mâgõg (Yâ'jûj Mâ'jûj) [G. I] by Wîllydây Nâmâlî

Sêkât Gõg Mâgõg (Yâ'jûj Mâ'jûj) [G. I] [R. I]

Sêkât Gõg Mâgõg (Yâ'jûj Mâ'jûj) [G. I] [R. I] by Wîllydây Nâmâlî

Sêkât Gõg-Mâgõg (Yâ'jûj-Mâ'jûj) [G. II] [R. I]

Sêkât Gõg-Mâgõg (Yâ'jûj-Mâ'jûj) [G. II] [R. I] by Wîllydây Nâmâlî

Sêkât Gõg Mâgõg (Yâ'jûj Mâ'jûj) [G. II] [R. II]

Sêkât Gõg Mâgõg (Yâ'jûj Mâ'jûj) [G. II] [R. II] by Wîllydây Nâmâlî

Pêrâhû Tênggêlâm [SE]

Compositionally, the repertoire on this album uses a Chromatic scale combined with the Jawa scale, although practically it does not involve much Jawa tones. About genre foundations, this work leans towards: Middle East, Kalimantan, Karawitan, and also Melayu. All the instruments are combined according to musical requirements, as intended by the composer.

What you hear on this album is a work that is laden of 'sea' nuances. The non-musical content of this album views the Nusantara (formerly) as a maritime superpower, raising significant questions about the maritime reality (today). The composer frames this interpretation through the lens of irony, whilst also expressing admiration for the existing legends.

.___________________________.

" Pêrâhû Tênggêlâm "

Type : Studio

Edition : Standard

Release : 2019-03-17

Length : 00.08.02

Track : 01

.___________________________.

Artist : Wîllydây Nâmâlî

Original Artist : Wîllydây Nâmâlî

Composer : Wîllydây Nâmâlî

Transcriptor : Wîllydây Nâmâlî

Niyaga (Musician) : Wîllydây Nâmâlî

Art Director : Wîllydây Nâmâlî

Copyright : Wîllydây Nâmâlî

.___________________________.

Lable : Tâbüh Nâmâlî

Distributor : Tâbüh Nâmâlî

Producer : Wîllydây Nâmâlî

Audio Engineer : Wîllydây Nâmâlî

.___________________________.

Recording Studio : Tâbüh Nâmâlî

Recording Location : Kabupaten Bantul - Indonesia

Notation System : Nâmâlî / Balok (Western)

Instrument Scale System : Chromatic / Nâmâlî / Jawa

Real Instrument Provider : Tâbüh Nâmâlî

Virtual Instrument Label : Tâbüh Nâmâlî / Ableton / Native Instruments

Genre : World

Sub-Genre : Karawitan / Avant Garde

.___________________________.

Image Cover Title : "Pêrâhû Tênggêlâm"

Cover Illustrator : Wîllydây Nâmâlî

Image Cover Layouter : Tâbüh Nâmâlî

Compositionally, the repertoire on this album uses a Chromatic scale combined with the Jawa scale, although practically it does not involve much Jawa tones. About genre foundations, this work leans towards: Middle East, Kalimantan, Karawitan, and also Melayu. All the instruments are combined according to musical requirements, as intended by the composer.
What you hear on this album is a work that is laden of 'sea' nuances. The non-musical content of this album views the Nusantara (formerly) as a maritime superpower, raising significant questions about the maritime reality (today). The composer frames this interpretation through the lens of irony, whilst also expressing admiration for the existing legends.
.___________________________.
" Pêrâhû Tênggêlâm "
Type : Studio
Edition : Standard
Release : 2019-03-17
Length : 00.08.02
Track : 01
.___________________________.
Artist : Wîllydây Nâmâlî
Original Artist : Wîllydây Nâmâlî
Composer : Wîllydây Nâmâlî
Transcriptor : Wîllydây Nâmâlî
Niyaga (Musician) : Wîllydây Nâmâlî
Art Director : Wîllydây Nâmâlî
Copyright : Wîllydây Nâmâlî
.___________________________.
Lable : Tâbüh Nâmâlî
Distributor : Tâbüh Nâmâlî
Producer : Wîllydây Nâmâlî
Audio Engineer : Wîllydây Nâmâlî
.___________________________.
Recording Studio : Tâbüh Nâmâlî
Recording Location : Kabupaten Bantul - Indonesia
Notation System : Nâmâlî / Balok (Western)
Instrument Scale System : Chromatic / Nâmâlî / Jawa
Real Instrument Provider : Tâbüh Nâmâlî
Virtual Instrument Label : Tâbüh Nâmâlî / Ableton / Native Instruments
Genre : World
Sub-Genre : Karawitan / Avant Garde
.___________________________.
Image Cover Title : "Pêrâhû Tênggêlâm"
Cover Illustrator : Wîllydây Nâmâlî
Image Cover Layouter : Tâbüh Nâmâlî

Pêrâhû Tênggêlâm [SE] by Wîllydây Nâmâlî

Nyânyîân Pêrâhû Tênggêlâm [G. I]

Nyânyîân Pêrâhû Tênggêlâm [G. I] by Wîllydây Nâmâlî

Pêrâhû Tênggêlâm [DE]

Compositionally, the repertoire on this album uses a Chromatic scale combined with the Jawa scale, although practically it does not involve much Jawa tones. About genre foundations, this work leans towards: Middle East, Kalimantan, Karawitan, and also Melayu. All the instruments are combined according to musical requirements, as intended by the composer.

What you hear on this album is a work that is laden of 'sea' nuances. The non-musical content of this album views the Nusantara (formerly) as a maritime superpower, raising significant questions about the maritime reality (today). The composer frames this interpretation through the lens of irony, whilst also expressing admiration for the existing legends.

.___________________________.

" Pêrâhû Tênggêlâm "

Type : Studio

Edition : Standard

Release : 2019-03-17

Length : 00.16.04

Track : 02

.___________________________.

Artist : Wîllydây Nâmâlî

Original Artist : Wîllydây Nâmâlî

Composer : Wîllydây Nâmâlî

Lyric : Wîllydây Nâmâlî

Transcirptor : Wîllydây Nâmâlî

Niyaga (Musician) : Wîllydây Nâmâlî / Isnaini Muhtarom

Art Director : Wîllydây Nâmâlî

Copyright : Wîllydây Nâmâlî

.___________________________.

Lable : Tâbüh Nâmâlî

Distributor : Tâbüh Nâmâlî

Producer : Wîllydây Nâmâlî

Audio Engineer : Wîllydây Nâmâlî

.___________________________.

Recording Studio : Tâbüh Nâmâlî

Recording Location : Kabupaten Bantul - Indonesia

Notation System : Nâmâlî / Balok (Western)

Instrument Scale System : Chromatic / Nâmâlî / Jawa

Real Instrument Provider : Tâbüh Nâmâlî

Virtual Instrument Label : Tâbüh Nâmâlî / Ableton / Native Instruments

Genre : World

Sub-Genre : Karawitan / Avant Garde

.___________________________.

Image Cover Title : "Pêrâhû Tênggêlâm"

Cover Illustrator : Wîllydây Nâmâlî

Image Cover Layouter : Tâbüh Nâmâlî

Compositionally, the repertoire on this album uses a Chromatic scale combined with the Jawa scale, although practically it does not involve much Jawa tones. About genre foundations, this work leans towards: Middle East, Kalimantan, Karawitan, and also Melayu. All the instruments are combined according to musical requirements, as intended by the composer.
What you hear on this album is a work that is laden of 'sea' nuances. The non-musical content of this album views the Nusantara (formerly) as a maritime superpower, raising significant questions about the maritime reality (today). The composer frames this interpretation through the lens of irony, whilst also expressing admiration for the existing legends.
.___________________________.
" Pêrâhû Tênggêlâm "
Type : Studio
Edition : Standard
Release : 2019-03-17
Length : 00.16.04
Track : 02
.___________________________.
Artist : Wîllydây Nâmâlî
Original Artist : Wîllydây Nâmâlî
Composer : Wîllydây Nâmâlî
Lyric : Wîllydây Nâmâlî
Transcirptor : Wîllydây Nâmâlî
Niyaga (Musician) : Wîllydây Nâmâlî / Isnaini Muhtarom
Art Director : Wîllydây Nâmâlî
Copyright : Wîllydây Nâmâlî
.___________________________.
Lable : Tâbüh Nâmâlî
Distributor : Tâbüh Nâmâlî
Producer : Wîllydây Nâmâlî
Audio Engineer : Wîllydây Nâmâlî
.___________________________.
Recording Studio : Tâbüh Nâmâlî
Recording Location : Kabupaten Bantul - Indonesia
Notation System : Nâmâlî / Balok (Western)
Instrument Scale System : Chromatic / Nâmâlî / Jawa
Real Instrument Provider : Tâbüh Nâmâlî
Virtual Instrument Label : Tâbüh Nâmâlî / Ableton / Native Instruments
Genre : World
Sub-Genre : Karawitan / Avant Garde
.___________________________.
Image Cover Title : "Pêrâhû Tênggêlâm"
Cover Illustrator : Wîllydây Nâmâlî
Image Cover Layouter : Tâbüh Nâmâlî

Pêrâhû Tênggêlâm [DE] by Wîllydây Nâmâlî

Nyânyîân Pêrâhû Tênggêlâm [G. I] [Demo]

Nyânyîân Pêrâhû Tênggêlâm [G. I] [Demo] by Wîllydây Nâmâlî

#namali