Le Morte d’Abby

Discography of Le Morte d’Abby

Discography

Fear Itself

Darkness

A Little Death

Cuts Deeper

Paralyzing

No Evil

Of The Unknown

Love Over

Spirit Of

Fractured

Cinematic ambient. This is more cinematic and a little less ambient than the previous two.

Cinematic ambient. This is more cinematic and a little less ambient than the previous two.

The Surface Of The Waters

The Surface Of The Waters by Le Morte d’Abby

Dysfunctional

Nothing But Static

Found

No Turning Back

Day Dreaming

Lamentation

Stumbling Through

A New Day

A New Day Redux

Themes of darkness and light, and the technicolour tokyo sunset, accompanied with Le Morte d'Abby's incredible production and gloriously indulgent synthwave compositional skills has gifted the world a record so banger-laden that you just might not be able to withstand it. Well... you can. It's just music. Incredible music.


Themes of darkness and light, and the technicolour tokyo sunset, accompanied with Le Morte d'Abby's incredible production and gloriously indulgent synthwave compositional skills has gifted the world a record so banger-laden that you just might not be able to withstand it. Well... you can. It's just music. Incredible music.

Triplicate Records

Nyanko No Jigoku Beat

Nyanko No Jigoku Beat by Le Morte d’Abby

Wasabi Danish

Tetsukuzu Grind

Yami No Hagane

Neko Mimi Overload

Dangan No Pulse

Burikko Overdrive

Kagayaku Kusari

Five More Minutes

Lentz starts as she means to go on, with these nine extremely consistent and colourful bangers designed to get your brain moving in all the right directions. A perfect three quarters of an hour dance mix to vastly improve just about any activity.

Composed & produced by Abigail Lentz
Mastered by Michael Southard
Artwork by Bryan Kraft

Lentz starts as she means to go on, with these nine extremely consistent and colourful bangers designed to get your brain moving in all the right directions. A perfect three quarters of an hour dance mix to vastly improve just about any activity.
Composed &amp; produced by Abigail Lentz
Mastered by Michael Southard
Artwork by Bryan Kraft

Mystery

Dawn

Almost

Something Not Said

A Covenant Between

However Still

Seriously

Finding a Way

Fall

Among The Exiles

Wickedness In High Places

Wickedness In High Places by Le Morte d’Abby

A Desolate Abomination

A Desolate Abomination by Le Morte d’Abby

Lift Up Your Eyes

Playing The Harlot

A Plague Upon

Iniquity Of Their Forefathers

Iniquity Of Their Forefathers by Le Morte d’Abby

Droning Me Softly

Drone. This is all Droning. All the time.

Drone. This is all Droning. All the time.

M S Muse

A Awlaki

J K Mohammad

Z Ahmadi

L D Mohamed

S Khan

Five Minutes

Nine impeccable Lentzian techno-diamonds form this blisteringly danceable project, the latest and greatest release from Triplicate mainstay le Morte d'Abby. At this point, you already know you're about to consume some of the finest underground electronica you can get your hands on, but we maintain you're not ready for the lofty heights reached on this cool gem of a record.

Written & Produced by Abigail Lentz
Mastered by Michael Southard
Artwork by Bryan Kraft



Nine impeccable Lentzian techno-diamonds form this blisteringly danceable project, the latest and greatest release from Triplicate mainstay le Morte d'Abby. At this point, you already know you're about to consume some of the finest underground electronica you can get your hands on, but we maintain you're not ready for the lofty heights reached on this cool gem of a record.
Written &amp; Produced by Abigail Lentz
Mastered by Michael Southard
Artwork by Bryan Kraft

All I Have

Leaving

Decisive

Waiting

Late Onset

Impatient

After the Fact

His Own Nature

Exaltation

MiniFr II

The tracks on this release are copyrighted under Creative Commons 'CC BY 4.0'. Artcore does not support free downloads. I set a minimal price.

All of these tracks were made using only the original factory presets that came with the 2.0 firmware update for Arturia's MiniFreak. All percussion from the MPC.

Copyright 'CC By 4.0' creativecommons.org/licenses/by/4.0/
Please read the copyright before using so there will be no surprises.


The tracks on this release are copyrighted under Creative Commons 'CC BY 4.0'. Artcore does not support free downloads. I set a minimal price.
All of these tracks were made using only the original factory presets that came with the 2.0 firmware update for Arturia's MiniFreak. All percussion from the MPC.
Copyright 'CC By 4.0' creativecommons.org/licenses/by/4.0/
Please read the copyright before using so there will be no surprises.

MiniF XIV

MiniF XV

MiniF XVI

MiniF XVII

MiniF XVIII

MiniF XIX

MiniF XX

In Those Days

Lentz' supreme mastery of the spacey arpeggio, and wrapping them ingeniously around beats that make you rock like a fool, even when you're typing an album review, doesn't flip the excellent formula on its head. She seeks constant improvement, and hones her producer chops, as a result, she's put together one of your favourite records of 2024.


George Ernst (Triplicate Records): Which days in particular is the album title celebrating? If indeed the title is celebratory?

Abigail Lentz (Le Morte d'Abby): Anytime anyone reminisces. Or speaks of the state of the world in some point in history. Or tries to complain that the world today is worse than it was “back then”. In Those Days, things were…

GE: What's your favourite track on the record? I love the weirdness of 'Woe to the Earth', particularly half way through when it starts to sort of fold in on itself.

AL: Woe to the Earth was a track I made right after the 5.0 FW update for Arturia’s MicroFreak came out. Used it, several of the presets that came with the update, and Arturia’s Dist Coldfire plugin. I did it while I was playing around with the new options. It’s hard to say which is my favorite. The more tracks I do the more I understand what I want and how to get it. I like Seed of the Woman for the fact that it’s about as basic one can get. But I would probably go with Et tu. It’s amazing what kind of “solo” an arp generator set to random can create with a little preparation and adjustment.

GE: I say this every time, but this is too good. Where the hell do you go from here?

AL: I keep going. With every release I try new things. And I learn more. And I get constructive criticism and feedback to make the next one better. And the more I do the more amazing artists I meet and connect with.



Lentz' supreme mastery of the spacey arpeggio, and wrapping them ingeniously around beats that make you rock like a fool, even when you're typing an album review, doesn't flip the excellent formula on its head. She seeks constant improvement, and hones her producer chops, as a result, she's put together one of your favourite records of 2024.
George Ernst (Triplicate Records): Which days in particular is the album title celebrating? If indeed the title is celebratory?
Abigail Lentz (Le Morte d'Abby): Anytime anyone reminisces. Or speaks of the state of the world in some point in history. Or tries to complain that the world today is worse than it was “back then”. In Those Days, things were…
GE: What's your favourite track on the record? I love the weirdness of 'Woe to the Earth', particularly half way through when it starts to sort of fold in on itself.
AL: Woe to the Earth was a track I made right after the 5.0 FW update for Arturia’s MicroFreak came out. Used it, several of the presets that came with the update, and Arturia’s Dist Coldfire plugin. I did it while I was playing around with the new options. It’s hard to say which is my favorite. The more tracks I do the more I understand what I want and how to get it. I like Seed of the Woman for the fact that it’s about as basic one can get. But I would probably go with Et tu. It’s amazing what kind of “solo” an arp generator set to random can create with a little preparation and adjustment.
GE: I say this every time, but this is too good. Where the hell do you go from here?
AL: I keep going. With every release I try new things. And I learn more. And I get constructive criticism and feedback to make the next one better. And the more I do the more amazing artists I meet and connect with.

Le Morte d’AbbyNashville, United States

Le Morte d’Abby
Nashville, United States