Dark Echoes

Jay Musique

Dive into the neon-soaked abyss where the only constants are the shadows and the hum of a million unblinking screens. This track is a gritty soundtrack to the midnight crusade, blending heavy, industrialized beats with haunting, evocative melodies. Feel the cold steel in your hand as the world rushes past, a lone warrior caught between a fractured past and an uncertain future. Epic, visceral, and laced with a spectral eastern wind.

Dive into the neon-soaked abyss where the only constants are the shadows and the hum of a million unblinking screens. This track is a gritty soundtrack to the midnight crusade, blending heavy, industrialized beats with haunting, evocative melodies. Feel the cold steel in your hand as the world rushes past, a lone warrior caught between a fractured past and an uncertain future. Epic, visceral, and laced with a spectral eastern wind.

Dark Echoes (Original Mix)

Distorted Echoes (Slowed)

The original track's chaotic roar is replaced by a low, guttural growl. This slowed-down version leans into the darkness, creating a heavy and intimidating atmosphere of impending doom. It's a haunting descent into a world of raw, distorted dread—a perfect match for the chaotic force depicted on the cover art.

The original track's chaotic roar is replaced by a low, guttural growl. This slowed-down version leans into the darkness, creating a heavy and intimidating atmosphere of impending doom. It's a haunting descent into a world of raw, distorted dread—a perfect match for the chaotic force depicted on the cover art.

Distorted Echoes

Shadow's Edge

Step into a a world of rain-soaked streets and holographic signs. This song captures the essence of cyberpunk with its gritty, pulsing trap beats and a dark, mesmerizing electronic atmosphere. It's built for cruising through a neon-lit future that feels both exciting and unsettling.

Step into a a world of rain-soaked streets and holographic signs. This song captures the essence of cyberpunk with its gritty, pulsing trap beats and a dark, mesmerizing electronic atmosphere. It's built for cruising through a neon-lit future that feels both exciting and unsettling.

Shadow's Edge (Original Mix)

The Elixer of Cello

Justin's Cello Lab

An eclectic collection of some of my work over the last 5 years. 

An eclectic collection of some of my work over the last 5 years.

The Elixer of Cello by Justin's Cello Lab

Why Can't the Future Be Still a While?

Why Can't the Future Be Still a While? by Justin's Cello Lab

Death By Whiskey (Psychedelic Cello Remix)

Death By Whiskey(Psychedelic Cello Remix) by Justin's Cello Lab

Death By Whiskey

A Trip Through Wonderland

A Trip Through Wonderland by Justin's Cello Lab

 Chopin Nocturne Op 9 No 2 Arranged for Cello 

 Chopin Nocturne Op 9 No 2 Arranged for Cello  by Justin's Cello Lab

Gonna Rattle It Right

Gonna Rattle It Right by Justin's Cello Lab

Digital Effervescence

Digital Effervescence by Justin's Cello Lab

Standing on the Edge of Tomorrow

Standing on the Edge of Tomorrow by Justin's Cello Lab

Jungle Trip

Rolling in Blue

You're So Beautiful

You're So Beautiful by Justin's Cello Lab

Champagne Is Better Than Real Pain

Champagne Is Better Than Real Pain by Justin's Cello Lab

Reaction, Vol. 2

Time Rival

Fifteen fabulously cosmic bangers in fifteen fantastical flavors. Instrumental Hip-Hop, Trip-Hop, Glitch-hop, all the hops. It's like a beer that won't damage your brain cells. Time Rival has once again crafted a fine selection of bangers, fresh off the banger crafting assembly line. Get most immediately, on this.


Fifteen fabulously cosmic bangers in fifteen fantastical flavors. Instrumental Hip-Hop, Trip-Hop, Glitch-hop, all the hops. It's like a beer that won't damage your brain cells. Time Rival has once again crafted a fine selection of bangers, fresh off the banger crafting assembly line. Get most immediately, on this.

Triplicate Records

Definitive Ballast

Definitive Ballast(8-31 Master) by Time Rival

Latch

Nebulous Landing

Nebulous Landing(8-31 Master) by Time Rival

Coarse Muslin

Strawberry Veneer

Strawberry Veneer(8-31 Master) by Time Rival

Silent Showers

Silent Showers(8-31 Master) by Time Rival

Aluminum Braids

Aluminum Braids(8-31 Master) by Time Rival

Unlatch

Provocative Vaulting

Provocative Vaulting(8-31 Master) by Time Rival

Interferon

Secondhand Ottoman

Secondhand Ottoman(8-31 Master) by Time Rival

Jetlag

Dusty Grail

Impatiently Waiting

Impatiently Waiting(8-31 Master) by Time Rival

Disassemble

Lost HDD EP

SignBit

SignBit's second EP, Lost HDD EP, was produced and composed from 2019 - 2022. Following a catastrophic computer failure, the songs were thought lost for all time, until a folder of early masters was found nested deep within an external hard drive. Bouncing between moody future garage & trip-hop vibes, Lost HDD EP showcases SignBit's inventive production skills, creative sampling and sound design capabilities, and their typical exploration of diatonic modes.

SignBit's second EP, Lost HDD EP, was produced and composed from 2019 - 2022. Following a catastrophic computer failure, the songs were thought lost for all time, until a folder of early masters was found nested deep within an external hard drive. Bouncing between moody future garage &amp; trip-hop vibes, Lost HDD EP showcases SignBit's inventive production skills, creative sampling and sound design capabilities, and their typical exploration of diatonic modes.

Protein Party (Original Mix)

Protein Party

Ethical Klepto (Original Mix)

Ethical Klepto

OFK (Original Mix)

On You (Original Mix)

On You

At Least (Original Mix)

At Least

Ready For Vallarta

Tavo Santos

First single available in my album 'The HiFi Collection'.
Inspired in the Mexican Port of 'Puerto Vallarta'.

First single available in my album 'The HiFi Collection'.
Inspired in the Mexican Port of 'Puerto Vallarta'.

Ready For Vallarta (Instrumental)

Ready For Vallarta(Instrumental) by Tavo Santos

SUPRA / INFRA

Jesse May

Jesse May is a big beat project that incorporates musical elements derived from garage rock, punk and electronica. The instruments recorded on this single were bass, synthesizer and drumpads. Mastered in Studio 755 Villa María, Córdoba.

Jesse May is a big beat project that incorporates musical elements derived from garage rock, punk and electronica. The instruments recorded on this single were bass, synthesizer and drumpads. Mastered in Studio 755 Villa María, Córdoba.

Low Psy Records

Infra

Supra

Juanito Thompson's Transatlantic Colleague

Dag Henderson

started making an ambient record, accidentally spilled drums everywhere

All musical instruments were recorded at Jake's house in State College, PA '21-'23 (with a tiny bit from '19). Using either a field recorder or, in the case of the drums, a distant phone, these were each recorded independently, without reference to the others. The field recordings were taken '16-'23 in the State College/Penn State area, New Hampshire/Frogwood Manor, Brooklyn/Manhattan, and most recently, MycoFest 2023 in Centre Hall, PA. All of these components were blended together as a sound collage to bring you this mini album.

drums, electric guitar, synthesizer, loops, & field recording by JAM
recording, editing, mixing, mastering, & artwork by JAM

started making an ambient record, accidentally spilled drums everywhere
All musical instruments were recorded at Jake's house in State College, PA '21-'23 (with a tiny bit from '19). Using either a field recorder or, in the case of the drums, a distant phone, these were each recorded independently, without reference to the others. The field recordings were taken '16-'23 in the State College/Penn State area, New Hampshire/Frogwood Manor, Brooklyn/Manhattan, and most recently, MycoFest 2023 in Centre Hall, PA. All of these components were blended together as a sound collage to bring you this mini album.
drums, electric guitar, synthesizer, loops, &amp; field recording by JAM
recording, editing, mixing, mastering, &amp; artwork by JAM

magmacrunch media

Juanito Thompson's Transatlantic Colleague by Dag Henderson

We Don't Need Time Where We're Going (Original Mix)

We Don't Need Time Where We're Going by Dag Henderson

We Don't Need Time Where We're Going

Hologram of a Dream (Original Mix)

Hologram of a Dream

Shoelace Express (Original Mix)

Shoelace Express

Municipal Garden (Original Mix)

Municipal Garden

Hypnagogia (Original Mix)

Hypnagogia

Area Does Not Exist (Original Mix)

Area Does Not Exist

Through the Mirror Line (Original Mix)

Through the Mirror Line

Millstone Woods May 2018 (Original Mix)

Millstone Woods May 2018

Millstone Woods May 2018 by Dag Henderson

Decrystallization (Original Mix)

Decrystallization

Ivan Garci 

Enjoy my new sounds.Music to relax.

Kar [Vlosfer Records] (Original Mix)

Kar [Vlosfer Records]

Paraiso [Vlosfer Records] (Original Mix)

Paraiso [Vlosfer Records]

White Paper EP Extended

Erik Strauss

Originally released in 2011, in the same day, the "White Paper EP" was inspired by my first trip to Berlin. 
It's a kind of instrumental continuos track that contains some repetive minimal sounds. 
Twelve years later, I've decided to publish an extend version with other 3 tracks ("0", "984" and "Puke the Excess") that wasn't in any other following releases.


Originally released in 2011, in the same day, the "White Paper EP" was inspired by my first trip to Berlin. 
It's a kind of instrumental continuos track that contains some repetive minimal sounds. 
Twelve years later, I've decided to publish an extend version with other 3 tracks ("0", "984" and "Puke the Excess") that wasn't in any other following releases.

White Paper

4 Memories 2 Forget

Annalogique

0 (zero)

Puke the Excess

I am Sure I am Happy

Be.Holders

A 4-track-journey, trying to reaching the peace of mind through unknown land.

All tracks are composed by me, except for "Ascension", made in collaboration with Be.Holders (Lyrics + Vocal:Francesco Rossi, Studio Musician: Davide Santandrea)

Cover art: Arthur Lavard (British Library Public Domain)

A 4-track-journey, trying to reaching the peace of mind through unknown land.
All tracks are composed by me, except for "Ascension", made in collaboration with Be.Holders (Lyrics + Vocal:Francesco Rossi, Studio Musician: Davide Santandrea)
Cover art: Arthur Lavard (British Library Public Domain)

Behind and Over

Landing on You

Into the Greenwood

Ascension (feat. Be.Holders)

Ascension (feat. Be.Holders) by Erik Strauss, Be.Holders

All This Blue Is About Happiness

An instrumental journey through sensations and relaxed feelings, reverbs and slow guitar melted with chill lo-fi beats.

Cover artwork: personal archive of architectural photographs

An instrumental journey through sensations and relaxed feelings, reverbs and slow guitar melted with chill lo-fi beats.
Cover artwork: personal archive of architectural photographs

All This Blue Is About Happiness by Erik Strauss

Even if the sky is too smoth I would like to run on it

Even if the sky is too smoth I would like to run on it by Erik Strauss

Reach out that old little cloud and feel young again

Reach out that old little cloud and feel young again by Erik Strauss

Flying high above the city just to wallowing with the stars

Flying high above the city just to wallowing with the stars by Erik Strauss

Urbanature

A lot of concrete buildings have been abandoned and nature wants its space back by trying to wrap and break them.
This is the concept behind the album: "Urbanature".

The tracks are heavily influenced by trip-hop and alternative sounds of '90s (Massive Attack, Portishead, Garbage, etc.)

All the photos for the sleeve cover art and labels and music video for "Darkside (a Way to Come Back)" are entirely my own productions.

Thanks to RYAL (Jacqueline Ryal) for lyrics and vocal on "What it's Worth"
Thanks to Ilaria Riccio for lyrics and vocals on "Darkside (a Way to Come Back)"
Thanks to The Gardener (Thomas Hollis) for his guitar on "Devil's Garden"

A lot of concrete buildings have been abandoned and nature wants its space back by trying to wrap and break them.
This is the concept behind the album: "Urbanature".
The tracks are heavily influenced by trip-hop and alternative sounds of '90s (Massive Attack, Portishead, Garbage, etc.)
All the photos for the sleeve cover art and labels and music video for "Darkside (a Way to Come Back)" are entirely my own productions.
Thanks to RYAL (Jacqueline Ryal) for lyrics and vocal on "What it's Worth"
Thanks to Ilaria Riccio for lyrics and vocals on "Darkside (a Way to Come Back)"
Thanks to The Gardener (Thomas Hollis) for his guitar on "Devil's Garden"

Vision of Gea

What it's Worth (feat. RYAL)

What it's Worth (feat. RYAL)(feat. Ryal) by Erik Strauss

Stomps on Concrete

No Communication

Darkside (a Way to Come Back) (feat. Ilaria Riccio)

Darkside (a Way to Come Back) (feat. Ilaria Riccio)(A Way to Come Back) by Erik Strauss

#instrumentalbeats