Morphosis

Toxxi

Morphosis is an EP embracing change. It shifts my sound into a more organic and experimental territory while staying firmly rooted in the electronic realm.

This project has been an incredibly valuable experience for me. It gave new purpose to some of my demos I'd never thought I'd finish, but also sparked some fresh new ideas. I tried to break free from the idea that every track has to fit in some sort of arbitrary category or genre – it wasn't easy, but I think I managed to make every track at least a little unique, without sacrificing the overall artistic vision.

In the end, it's liberating to create something genuine that wasn't made just as another attempt to try to please the algorithm... in the age of AI, I'm sure that it's more important than ever before! ​

Morphosis is an EP embracing change. It shifts my sound into a more organic and experimental territory while staying firmly rooted in the electronic realm.
This project has been an incredibly valuable experience for me. It gave new purpose to some of my demos I'd never thought I'd finish, but also sparked some fresh new ideas. I tried to break free from the idea that every track has to fit in some sort of arbitrary category or genre – it wasn't easy, but I think I managed to make every track at least a little unique, without sacrificing the overall artistic vision.
In the end, it's liberating to create something genuine that wasn't made just as another attempt to try to please the algorithm... in the age of AI, I'm sure that it's more important than ever before! ​

Ephemeral

Letting Go

Lenience

afterthought

Harvest

Time Rival

Dark & moody music for autumn

Composed & Produced by Michael Southard
Mastering by Michael Southard
Artwork by Michael Southard

Dark &amp; moody music for autumn
Composed &amp; Produced by Michael Southard
Mastering by Michael Southard
Artwork by Michael Southard

Balastrade

Shadowband

Florentine

Gold & Black

Des Jardines

Hyphae

Sidra

Diatribe

Mercurial

Crosscut Saw

GŮRRR

Crosscut Saw brings you three brand new tracks by GŮRRR. 
Formed by Aleksander Haugen and Girilal Baars in 2024 during an accidental meeting, the hurdy-gurdy duo strives to blend the acoustic instruments with non-standard electronics. GŮRRR also actively explores extended playing techniques on the already wide-ranging acoustic sound-generators that are hurdy-gurdys.

Two of the tracks are live recordings from GŮRRR's tours in Norway and Sweden and one is a studio recording. Acoustic noise drone linking the medieval with the modern, plainsong with the inharmonic, and the hidden with the oblique.

Crosscut Saw brings you three brand new tracks by GŮRRR. 
Formed by Aleksander Haugen and Girilal Baars in 2024 during an accidental meeting, the hurdy-gurdy duo strives to blend the acoustic instruments with non-standard electronics. GŮRRR also actively explores extended playing techniques on the already wide-ranging acoustic sound-generators that are hurdy-gurdys.
Two of the tracks are live recordings from GŮRRR's tours in Norway and Sweden and one is a studio recording. Acoustic noise drone linking the medieval with the modern, plainsong with the inharmonic, and the hidden with the oblique.

Nature Always Wins

Mean Old World (Original Mix)

Mean Old World

Crosscut Saw (Original Mix)

Killing Floor (Original Mix)

Killing Floor

Männen som slutade öka

Chaos Pals

Männen som slutade öka is Chaos Pal’s debut album. The duo was formed by Olle Oljud and Girilal Baars in the early ’10s. In all these years, they have only made a handful public appearances. All of them iconic. 

In the early 00’s Olle and Girilal both went through a period of heavy Kaoss Pad addiction (KPI and KP3, for the technically bothered). A decade later the sound was a bit outdated and we had both moved on to other sonic dependencies… 

One day, however, we had the idea of cross connecting our four KPs to each other. This enabled entirely new levels of instability and aleatoricism and proved irresistible to two sound-hooligans. And so there you have it — Männen som slutade öka [Fellows Rebuking the Capitalist Doctrine of Continuous Expansion and Growth], a 9-track album devoid of nostalgia, meaning and purpose.

Männen som slutade öka is Chaos Pal’s debut album. The duo was formed by Olle Oljud and Girilal Baars in the early ’10s. In all these years, they have only made a handful public appearances. All of them iconic. 
In the early 00’s Olle and Girilal both went through a period of heavy Kaoss Pad addiction (KPI and KP3, for the technically bothered). A decade later the sound was a bit outdated and we had both moved on to other sonic dependencies… 
One day, however, we had the idea of cross connecting our four KPs to each other. This enabled entirely new levels of instability and aleatoricism and proved irresistible to two sound-hooligans. And so there you have it — Männen som slutade öka [Fellows Rebuking the Capitalist Doctrine of Continuous Expansion and Growth], a 9-track album devoid of nostalgia, meaning and purpose.

The Gospel of Truth

Stanna hemma

Svälj

Att angöra en bryggare

E Dreams of Hollywood

Cute in Grey

The Unfolding

Männen som slutade öka

 Försök igen

Best of Label Cantroll, Pt. 10

kbkbts.

Decision Space

RIZA music

HRCRX

Paradeigma

Nordgroove

Surmachina

Plushka

Sayok

Hygienic Product

Synth Hiacynt

Doctor Messenger

This is the tenth instalment in Label Cantroll’s ‘Best Of’ series. This compilation has been released to mark the label’s 18th anniversary and features the most interesting tracks from previous releases. The tracklist features 25 tracks from the label’s resident artists: Surmachina, HRCRX, Nordgroove, Paradeigma, Synth Hiacynt, Hygienic Product, kbkbts., Decision Space, RIZA music, Doctor Messenger, Sayok and Plushka. This compilation is a ‘snapshot’ that helps give an overall impression of the sort of music the label releases.

This is the tenth instalment in Label Cantroll’s ‘Best Of’ series. This compilation has been released to mark the label’s 18th anniversary and features the most interesting tracks from previous releases. The tracklist features 25 tracks from the label’s resident artists: Surmachina, HRCRX, Nordgroove, Paradeigma, Synth Hiacynt, Hygienic Product, kbkbts., Decision Space, RIZA music, Doctor Messenger, Sayok and Plushka. This compilation is a ‘snapshot’ that helps give an overall impression of the sort of music the label releases.

Label Cantroll

Point of No Return

Ponedelnik (feat. Оксана Князева)

Ponedelnik(feat. Оксана Князева) by Surmachina

Ponedelnik

Sims

Ritual

Can't Get Enough (feat. phazan)

Can't Get Enough(feat. phazan) by Paradeigma

Can't Get Enough

Calm

Synthetika

Vice Point

The Dirty Greek

Vodomut

Magnum Opus

A New Spring has Passed

Movement of Life

Expectation

Dr. Amp

Slow Burn

Moroshka (feat. Оксана Князева)

Moroshka(feat. Оксана Князева) by Surmachina

Moroshka

Mountain Stalker

Visual Authenticity

Tiny Lights Are Far Away

Туманность (feat. RIZA Music)

Туманность(feat. RIZA Music) by Paradeigma

Туманность

Dźmuchaŭcy (feat. JJ.OK)

Dźmuchaŭcy

Land of Rime

Skal

Dziedavy Historyji

Море наше поле

Surmachina's album "Море наше поле"  ("The Sea Is Our Field") features folk songs and original compositions inspired by Russian folklore and modern electronics. The traditional sound doesn't become a museum piece, but continues to live and evolve, engaging in dialogue with synthesizers (Arturia Microfreak, Dreadbox Typhon, Make Noise 0-COAST). Flutes, horns, hurdy-gurdies, and analog drum machines (Elektron Digitakt, Elektron Tonverk) are featured. Vocals are provided by Oksana Knyazeva, soloist with the V. Sudakov Moscow Chapel Choir.

Surmachina is a project by a beatmaker and multi-instrumentalist from northern Moscow, incorporating ideas from classical hip-hop, analog electronics, lo-fi aesthetics, and Russian folklore. Each release experiments with sound.

The albums  "Странные ритмы вечернего Подмосковья" ("Strange Rhythms of the Evening Moscow Region") "Японские Заметки" ("Japanese Notes") and "И тайное общество битмейкеров" ("And the Secret Society of Beatmakers") are dedicated to life in the big city, reflecting on the metropolis and its suburbs. They are recorded in the format of travelogues, with warm guitars, voice recordings, jazz melodies, and synthesizers. The releases "Onega" and "Хождение за три моря" ("Journey Beyond Three Seas") mix hip-hop beats, authentic instruments (Scandinavian talharpa, flute, Carpathian kalyuka), recordings of the Solovetsky choir, Pomor chants, and modern synthesizers and samplers (Arturia Microfreak, Dreadbox Typhon, Roland sp 404, Elektron Digitakt).

Streaming platforms: https://band.link/c227

Surmachina's album "Море наше поле" ("The Sea Is Our Field") features folk songs and original compositions inspired by Russian folklore and modern electronics. The traditional sound doesn't become a museum piece, but continues to live and evolve, engaging in dialogue with synthesizers (Arturia Microfreak, Dreadbox Typhon, Make Noise 0-COAST). Flutes, horns, hurdy-gurdies, and analog drum machines (Elektron Digitakt, Elektron Tonverk) are featured. Vocals are provided by Oksana Knyazeva, soloist with the V. Sudakov Moscow Chapel Choir.
Surmachina is a project by a beatmaker and multi-instrumentalist from northern Moscow, incorporating ideas from classical hip-hop, analog electronics, lo-fi aesthetics, and Russian folklore. Each release experiments with sound.
The albums "Странные ритмы вечернего Подмосковья" ("Strange Rhythms of the Evening Moscow Region") "Японские Заметки" ("Japanese Notes") and "И тайное общество битмейкеров" ("And the Secret Society of Beatmakers") are dedicated to life in the big city, reflecting on the metropolis and its suburbs. They are recorded in the format of travelogues, with warm guitars, voice recordings, jazz melodies, and synthesizers. The releases "Onega" and "Хождение за три моря" ("Journey Beyond Three Seas") mix hip-hop beats, authentic instruments (Scandinavian talharpa, flute, Carpathian kalyuka), recordings of the Solovetsky choir, Pomor chants, and modern synthesizers and samplers (Arturia Microfreak, Dreadbox Typhon, Roland sp 404, Elektron Digitakt).
Streaming platforms: <a href="https://band.link/c227">https://band.link/c227</a>

More nashe pole

Medunitsa

Plach Posledniy

Moroshka (Instrumental)

Ponedelnik (Instrumental)

More nashe pole (Instrumental)

More nashe pole(Instrumental) by Surmachina

"Morphosis" is the title track and lead single from my upcoming EP. It is a departure from high-energy EDM, focusing instead on texture, emotion, and cinematic atmosphere.

This tracks is the first glimpse into the Morphosis EP. This EP is an exploration of change, and it reflects an intentional shift in my approach to creating art.

(But don't worry, that doesn't mean I'm ditching EDM for good😉)

The visual identity of the project is captured entirely with my camera - no digital art this time :)

"Morphosis" is the title track and lead single from my upcoming EP. It is a departure from high-energy EDM, focusing instead on texture, emotion, and cinematic atmosphere.
This tracks is the first glimpse into the Morphosis EP. This EP is an exploration of change, and it reflects an intentional shift in my approach to creating art.
(But don't worry, that doesn't mean I'm ditching EDM for good😉)
The visual identity of the project is captured entirely with my camera - no digital art this time :)

Morphosis (Original Mix)

A Night in the Garden of Eden

Psy-Lounge

A generation from Psy-Lounge's custom model directly covering Dr. Z's "Night in the Garden of Eden" Psy-Lounge style!

A generation from Psy-Lounge's custom model directly covering Dr. Z's "Night in the Garden of Eden" Psy-Lounge style!

A Night in the Garden of Eden by Psy-Lounge

A Night in the Garden of Eden (Original Mix)

Cooked

Kamato

Soft Sciences

Stuck Between the Steps

Beacon Beauty

An Array of Circles

Hot Pastel

Sacred Tea

A New Type of Silence

Baila para mi

Yaska

Baila para mi (Original Mix)

Open your souls

Open your souls (Original Mix)

Inner Touch

Inner Touch (Original Mix)

Dancing in the Blur

Kult

"Dancing in the Blur" marks our first journey into colder, darker coldwave and gothic-inspired landscapes. Staying true to our roots, we’ve blended these influences with our love for liquid drum and bass, creating a sound that feels both melancholic and alive.

"Dancing in the Blur" marks our first journey into colder, darker coldwave and gothic-inspired landscapes. Staying true to our roots, we’ve blended these influences with our love for liquid drum and bass, creating a sound that feels both melancholic and alive.

Dancing in the Blur (Original Mix)

When Sleestax Attack (Hoobie Theme Songs For Grandville News Axis)

Scum Puppy

When Sleestax Attack (Hoobie Theme Songs For Grandville News Axis) is a quirky, lo-fi electronic pop single from Scum Puppy, created as the official opening themes and music beds for Grandville News Axis, a news program from Grandville, Michigan.

Packed with playful synths, infectious hooks, and Scum Puppy's signature offbeat humor, the release captures the spirit of gloriously chaotic community television. Blending upbeat electronic grooves with tongue-in-cheek production, both tracks sound like the soundtrack to a public access news broadcast that's just one technical malfunction away from greatness, in the best possible way.

The single features "Stereopticon (Grandville News Axis With Backyard Bob)," with vocals by Crawdaddy Q., and "Stochastic Terrorism (Grandville News Axis and Hoobie AF)," featuring Dr. T. Tom Foolery. Together, the songs deliver an energetic, ridiculously catchy mix of lo-fi electronic pop that perfectly complements the unpredictable charm of Grandville News Axis.

Whether you're tuning in for the news or just looking for irresistibly fun electronic oddities, When Sleestax Attack (Hoobie Theme Songs For Grandville News Axis) is a celebration of local television, DIY creativity, and the joyful art of making unforgettable theme music.

Track List
01.	Stereopticon (Grandville News Axis With Backyard Bob) [01:12]
		Featuring:
		Crawdaddy Q. - Vocals
02.	Stochastic Terrorism (Grandville News Axis and Hoobie AF) [02:36]
		Featuring:
		Dr. T. Tom Foolery - Vocals

Album Credits
Hoobie Records HR20260708 Digital Single
Released: 2026-07-08
Music/Lyrics © 2026 Brian David Artwick
Produced and Mastered by Scum Puppy
Graphic Design and Artwork by Scum Puppy
Scum Puppy - Keyboard, Synthesizer, Drum Machine, Electronic Snafoo, Softcore Dingle Slide

Grandville News Axis @ Youtube
https://www.youtube.com/playlist?list=PLEoHQRTznDqE

When Sleestax Attack (Hoobie Theme Songs For Grandville News Axis) is a quirky, lo-fi electronic pop single from Scum Puppy, created as the official opening themes and music beds for Grandville News Axis, a news program from Grandville, Michigan.
Packed with playful synths, infectious hooks, and Scum Puppy's signature offbeat humor, the release captures the spirit of gloriously chaotic community television. Blending upbeat electronic grooves with tongue-in-cheek production, both tracks sound like the soundtrack to a public access news broadcast that's just one technical malfunction away from greatness, in the best possible way.
The single features "Stereopticon (Grandville News Axis With Backyard Bob)," with vocals by Crawdaddy Q., and "Stochastic Terrorism (Grandville News Axis and Hoobie AF)," featuring Dr. T. Tom Foolery. Together, the songs deliver an energetic, ridiculously catchy mix of lo-fi electronic pop that perfectly complements the unpredictable charm of Grandville News Axis.
Whether you're tuning in for the news or just looking for irresistibly fun electronic oddities, When Sleestax Attack (Hoobie Theme Songs For Grandville News Axis) is a celebration of local television, DIY creativity, and the joyful art of making unforgettable theme music.
Track List
01.	Stereopticon (Grandville News Axis With Backyard Bob) [01:12]
 Featuring:
 Crawdaddy Q. - Vocals
02.	Stochastic Terrorism (Grandville News Axis and Hoobie AF) [02:36]
 Featuring:
 Dr. T. Tom Foolery - Vocals
Album Credits
Hoobie Records HR20260708 Digital Single
Released: 2026-07-08
Music/Lyrics © 2026 Brian David Artwick
Produced and Mastered by Scum Puppy
Graphic Design and Artwork by Scum Puppy
Scum Puppy - Keyboard, Synthesizer, Drum Machine, Electronic Snafoo, Softcore Dingle Slide
Grandville News Axis @ Youtube
<a href="https://www.youtube.com/playlist?list=PLEoHQRTznDqE">https://www.youtube.com/playlist?list=PLEoHQRTznDqE</a>

Hoobie Records

When Sleestax Attack (Hoobie Theme Songs For Grandville News Axis) by Scum Puppy

Stereopticon (Grandville News Axis With Backyard Bob)

Stereopticon (Grandville News Axis With Backyard Bob) by Scum Puppy

Stochastic Terrorism (Grandville News Axis and Hoobie AF)

Stochastic Terrorism (Grandville News Axis and Hoobie AF) by Scum Puppy

Matthew McConaughey:  Only War Kings and Drug Lords/Doesn't Exist

Sea Star Gym

The long-awaited follow-up by Sea Star Gym is here, and it's another in the Psy-Lounge cover series, but this one with a little extra by SSG themselves, too!  We hope you enjoy "Matthew McConaughey:  Only War Kings and Drug Lords / Doesn't Exist"!

The long-awaited follow-up by Sea Star Gym is here, and it's another in the Psy-Lounge cover series, but this one with a little extra by SSG themselves, too! We hope you enjoy "Matthew McConaughey: Only War Kings and Drug Lords / Doesn't Exist"!

Radio Oumuamua

Matthew McConaughey:  Only War Kings and Drug Lords/Doesn't Exist by Sea Star Gym

There's Something

UMU2

UMU2's second single is here, there's something about this genre-bending track they call "There's Something".  UMU2 tells us that we only need to know it's a KZ model, whatever that means…

UMU2's second single is here, there's something about this genre-bending track they call "There's Something". UMU2 tells us that we only need to know it's a KZ model, whatever that means…

for ocean souls only

Kugis_Kodeli

A musical journey through senses, memories, and places where the line between reality and imagination slowly fades into sound.

Each track is a separate chapter of this story — from the first touch of cool ocean waters, through nocturnal pleasures, to a morning in a hotel room overlooking the sea. A walk along a Hawaiian beach at noon, a sunset, a refreshing drink, or a cup of good coffee — all of it weaves together into a single narrative.

This album is about intimate moments, summer memories, and hidden emotions. It feels like a summer movie from the 1990s, watched on VHS tapes — slightly nostalgic, subtly sensual, deeply personal.

Immerse yourself in sounds of jazz, chillout, trip-hop, lo-fi, and ambient.
This is not just an album — it’s an experience.

A musical journey through senses, memories, and places where the line between reality and imagination slowly fades into sound.
Each track is a separate chapter of this story — from the first touch of cool ocean waters, through nocturnal pleasures, to a morning in a hotel room overlooking the sea. A walk along a Hawaiian beach at noon, a sunset, a refreshing drink, or a cup of good coffee — all of it weaves together into a single narrative.
This album is about intimate moments, summer memories, and hidden emotions. It feels like a summer movie from the 1990s, watched on VHS tapes — slightly nostalgic, subtly sensual, deeply personal.
Immerse yourself in sounds of jazz, chillout, trip-hop, lo-fi, and ambient.
This is not just an album — it’s an experience.

I found the sea.

Satin morning.

Chocolate and other pleasures.

Chocolate and other pleasures. by Kugis_Kodeli

Naughty hands (adult music).

Naughty hands (adult music).(adult music) by Kugis_Kodeli

Lemonade.

Noon on Lanikai Beach.

 Engagement on the sand.

Lost music video.

Blackberry mojito.

Pacific jazz.

I left the ocean.

Sètrâ [SE]

Wîllydây Nâmâlî

Kârâwîtân Küpíng Cûmplêng

"Sètrâ" is one of Wîllydây's most complex albums, both in terms of studio production or live performance. All the repertoires on this album are reworked arrangements of the original versions (from the albums: Kâr-Kü-Cû).

The composer blends Gamelan + Metal + Electronica in a balanced proportion, without any clash of tone scales and timbres. This concept is the result of Wîllydây's long-standing experimentation within the Avant-Garde Metal scene: since the album "Mâyít" (2017), or for repertoires of the metal band Axon Breeze (Australia, since 2017).

All pitch elements on this album use the "Nâmâlî : Pèlõg" scale [1 gêmbyâng (register) = 14 precise frequencies], which is a development of the Pelog Jawa (classic) scale. There is also a Rebab Jawa, with an extreme drop tuning (Pèlõg : Jî, Pât) following the first note on the Nâmâlî scale (Pèlõg : Pât). This technical configuration makes the string sound of the Rebab Jawa more elastic, yet heavy and dark.

.___________________________.

" Sètrâ "

Type : Studio

Edition : Standard

Release : 2026-06-07

Length : 00.21.11

Track : 04

.___________________________.

Artist : Wîllydây Nâmâlî / Kârâwîtân Küpíng Cûmplêng

Original Artist : Wîllydây Nâmâlî

Composer : Wîllydây Nâmâlî

Transcriptor : Wîllydây Nâmâlî

Niyaga (Musician) : Wîllydây Nâmâlî

Art Director : Wîllydây Nâmâlî

Copyright : Wîllydây Nâmâlî

.___________________________.

Label : Tâbüh Nâmâlî

Distributor : Tâbüh Nâmâlî

Producer : Wîllydây Nâmâlî

Audio Engineer : Wîllydây Nâmâlî

.___________________________.

Recording Studio : Tâbüh Nâmâlî

Recording Location : Malang - Indonesia

Notation System : Nâmâlî

Instrument Scale System : Nâmâlî (Pèlõg)

Real Instrument Provider : Tâbüh Nâmâlî

Virtual Instrument Label : Tâbüh Nâmâlî / Ableton / Roland

Genre : Karawitan / Metal

Sub-Genre : Avant Garde / Electronica

.___________________________.

Image Cover Title : "Sètrâ"

Cover Illustrator : Decky Yuriadi

Image Cover Layouter : Tâbüh Nâmâlî

"Sètrâ" is one of Wîllydây's most complex albums, both in terms of studio production or live performance. All the repertoires on this album are reworked arrangements of the original versions (from the albums: Kâr-Kü-Cû).
The composer blends Gamelan + Metal + Electronica in a balanced proportion, without any clash of tone scales and timbres. This concept is the result of Wîllydây's long-standing experimentation within the Avant-Garde Metal scene: since the album "Mâyít" (2017), or for repertoires of the metal band Axon Breeze (Australia, since 2017).
All pitch elements on this album use the "Nâmâlî : Pèlõg" scale [1 gêmbyâng (register) = 14 precise frequencies], which is a development of the Pelog Jawa (classic) scale. There is also a Rebab Jawa, with an extreme drop tuning (Pèlõg : Jî, Pât) following the first note on the Nâmâlî scale (Pèlõg : Pât). This technical configuration makes the string sound of the Rebab Jawa more elastic, yet heavy and dark.
.___________________________.
" Sètrâ "
Type : Studio
Edition : Standard
Release : 2026-06-07
Length : 00.21.11
Track : 04
.___________________________.
Artist : Wîllydây Nâmâlî / Kârâwîtân Küpíng Cûmplêng
Original Artist : Wîllydây Nâmâlî
Composer : Wîllydây Nâmâlî
Transcriptor : Wîllydây Nâmâlî
Niyaga (Musician) : Wîllydây Nâmâlî
Art Director : Wîllydây Nâmâlî
Copyright : Wîllydây Nâmâlî
.___________________________.
Label : Tâbüh Nâmâlî
Distributor : Tâbüh Nâmâlî
Producer : Wîllydây Nâmâlî
Audio Engineer : Wîllydây Nâmâlî
.___________________________.
Recording Studio : Tâbüh Nâmâlî
Recording Location : Malang - Indonesia
Notation System : Nâmâlî
Instrument Scale System : Nâmâlî (Pèlõg)
Real Instrument Provider : Tâbüh Nâmâlî
Virtual Instrument Label : Tâbüh Nâmâlî / Ableton / Roland
Genre : Karawitan / Metal
Sub-Genre : Avant Garde / Electronica
.___________________________.
Image Cover Title : "Sètrâ"
Cover Illustrator : Decky Yuriadi
Image Cover Layouter : Tâbüh Nâmâlî

Tâbüh Nâmâlî

Sètrâ [SE] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Bûkã Sîthîk ... Crwõk ! [G. II]

Bûkã Sîthîk ... Crwõk ! [G. II] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Ûnyâr [G. III]

Ûnyâr [G. III] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Bâthãrã Yâmâ [G. II]

Bâthãrã Yâmâ [G. II] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Kõdhõk Ngõrèk [G. XI]

Kõdhõk Ngõrèk [G. XI] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Sètrâ [DE]

"Sètrâ" is one of Wîllydây's most complex albums, both in terms of studio production or live performance. All the repertoires on this album are reworked arrangements of the original versions (from the albums: Kâr-Kü-Cû).

The composer blends Gamelan + Metal + Electronica in a balanced proportion, without any clash of tone scales and timbres. This concept is the result of Wîllydây's long-standing experimentation within the Avant-Garde Metal scene: since the album "Mâyít" (2017), or for repertoires of the metal band Axon Breeze (Australia, since 2017).

All pitch elements on this album use the "Nâmâlî : Pèlõg" scale [1 gêmbyâng (register) = 14 precise frequencies], which is a development of the Pelog Jawa (classic) scale. There is also a Rebab Jawa, with an extreme drop tuning (Pèlõg : Jî, Pât) following the first note on the Nâmâlî scale (Pèlõg : Pât). This technical configuration makes the string sound of the Rebab Jawa more elastic, yet heavy and dark.

.___________________________.

" Sètrâ "

Type : Studio

Edition : Deluxe

Release : 2026-06-07

Length : 01.03.33

Track : 12

.___________________________.

Artist : Wîllydây Nâmâlî / Kârâwîtân Küpíng Cûmplêng

Original Artist : Wîllydây Nâmâlî

Composer : Wîllydây Nâmâlî

Transcriptor : Wîllydây Nâmâlî

Niyaga (Musician) : Wîllydây Nâmâlî

Art Director : Wîllydây Nâmâlî

Copyright : Wîllydây Nâmâlî

.___________________________.

Label : Tâbüh Nâmâlî

Distributor : Tâbüh Nâmâlî

Producer : Wîllydây Nâmâlî

Audio Engineer : Wîllydây Nâmâlî

.___________________________.

Recording Studio : Tâbüh Nâmâlî

Recording Location : Malang - Indonesia

Notation System : Nâmâlî

Instrument Scale System : Nâmâlî (Pèlõg)

Real Instrument Provider : Tâbüh Nâmâlî

Virtual Instrument Label : Tâbüh Nâmâlî / Ableton / Roland

Genre : Karawitan / Metal

Sub-Genre : Avant Garde / Electronica

.___________________________.

Image Cover Title : "Sètrâ"

Cover Illustrator : Decky Yuriadi

Image Cover Layouter : Tâbüh Nâmâlî

"Sètrâ" is one of Wîllydây's most complex albums, both in terms of studio production or live performance. All the repertoires on this album are reworked arrangements of the original versions (from the albums: Kâr-Kü-Cû).
The composer blends Gamelan + Metal + Electronica in a balanced proportion, without any clash of tone scales and timbres. This concept is the result of Wîllydây's long-standing experimentation within the Avant-Garde Metal scene: since the album "Mâyít" (2017), or for repertoires of the metal band Axon Breeze (Australia, since 2017).
All pitch elements on this album use the "Nâmâlî : Pèlõg" scale [1 gêmbyâng (register) = 14 precise frequencies], which is a development of the Pelog Jawa (classic) scale. There is also a Rebab Jawa, with an extreme drop tuning (Pèlõg : Jî, Pât) following the first note on the Nâmâlî scale (Pèlõg : Pât). This technical configuration makes the string sound of the Rebab Jawa more elastic, yet heavy and dark.
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" Sètrâ "
Type : Studio
Edition : Deluxe
Release : 2026-06-07
Length : 01.03.33
Track : 12
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Artist : Wîllydây Nâmâlî / Kârâwîtân Küpíng Cûmplêng
Original Artist : Wîllydây Nâmâlî
Composer : Wîllydây Nâmâlî
Transcriptor : Wîllydây Nâmâlî
Niyaga (Musician) : Wîllydây Nâmâlî
Art Director : Wîllydây Nâmâlî
Copyright : Wîllydây Nâmâlî
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Label : Tâbüh Nâmâlî
Distributor : Tâbüh Nâmâlî
Producer : Wîllydây Nâmâlî
Audio Engineer : Wîllydây Nâmâlî
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Recording Studio : Tâbüh Nâmâlî
Recording Location : Malang - Indonesia
Notation System : Nâmâlî
Instrument Scale System : Nâmâlî (Pèlõg)
Real Instrument Provider : Tâbüh Nâmâlî
Virtual Instrument Label : Tâbüh Nâmâlî / Ableton / Roland
Genre : Karawitan / Metal
Sub-Genre : Avant Garde / Electronica
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Image Cover Title : "Sètrâ"
Cover Illustrator : Decky Yuriadi
Image Cover Layouter : Tâbüh Nâmâlî

Sètrâ [DE] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Bûkã Sîthîk ... Crwõk ! [G. II] [R. I]

Bûkã Sîthîk ... Crwõk ! [G. II] [R. I] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Ûnyâr [G. III] [R. I]

Ûnyâr [G. III] [R. I] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Bâthãrã Yâmâ [G. II] [R. I]

Bâthãrã Yâmâ [G. II] [R. I] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Kõdhõk Ngõrèk [G. XI] [R. I]

Kõdhõk Ngõrèk [G. XI] [R. I] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Bûkã Sîthîk ... Crwõk ! [G. II] [R. II]

Bûkã Sîthîk ... Crwõk ! [G. II] [R. II] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

Ûnyâr [G. III] [R. II]

Ûnyâr [G. III] [R. II] by Wîllydây Nâmâlî, Kârâwîtân Küpíng Cûmplêng

#electronica